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  Surname Name Title Thesis status   Supervisors Reviewers Type of thesis Date of def. Title
Student Type of thesis - - - - - - - - - -
Item shown in detail Němčíková Includes the selected person into the timetable overlap calculation. Hana Intertextuality and Popular Music: Bastille Intertextuality and Popular Music: Bastille Thesis finished and defended successfully (DUO).   Trušník Roman Shurma Svitlana Bachelor's thesis 1623621600000 14.06.2021 Intertextuality and Popular Music: Bastille Thesis finished and defended successfully (DUO).
Hana Němčíková Bachelor's thesis 0XX 0XX 0XX 0XX 0XX 0XX 0XX 0XX 0XX 0XX

Thesis info Intertextuality and Popular Music: Bastille

  • Basic data
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Name Němčíková Hana Includes the selected person into the timetable overlap calculation.
Acad. Yr. 2020/2021
Assigning department UMJL
Date of defence Jun 14, 2021
Type of thesis Bachelor's thesis
Thesis status Thesis finished and defended successfully (DUO). Thesis finished and defended successfully (DUO).
Completeness of mandatory entries - All mandatory fields for this Thesis are filled in.
Main topic Intertextualita a populární hudba: Bastille
Main topic in English Intertextuality and Popular Music: Bastille
Title according to student Intertextuality and Popular Music: Bastille
English title as given by the student Intertextuality and Popular Music: Bastille
Parallel name -
Subtitle -
Thesis supervisor Trušník Roman, doc. Mgr. Ph.D.
External examiner Shurma Svitlana, M.A., Ph.D.
Annotation Cílem této práce je představit typy intertextuality v písních britské hudební skupiny Bastille. V první kapitole je vysvětlen koncept intertextuality, její původ a jsou zde vysvětleny typy intertextuality v textu a hudbě. Jelikož se práce také zaměřuje na populární hudbu, v druhé kapitole je rozebrána populární hudba a její historie. V následující kapitole je představena skupina Bastille a její historie od jejího začátku do současnosti. Poslední kapitola se zabývá písněmi, které obsahují nejvíce intertextuálních referencí na literární díla, filmy a historické události. Písně jsou seřazeny chronologicky dle data vydání alba. Na konci poslední kapitoly je popsán projekt, který skupina představila loni svým fanouškům, a ve kterém kapela pomocí intertextuálních referencí vytvořila krátké písně.
Annotation in English The aim of this thesis is to present the types of intertextuality in the songs of the British band Bastille. In the first chapter, the concept of intertextuality, its origins, and types of intertextuality in text and music are explained. As the thesis also focuses on popular music, popular music and its history are discussed in the second chapter. The band Bastille and its history from its beginning to the present day is introduced in the following chapter. The last chapter deals with the songs that contain the most intertextual references to literary works, films, and historical events. The songs are in chronological order according to the album's release date. At the end of the last chapter, the project that the band presented to its fans last year and in which the band used intertextual references to produce short songs is described.
Keywords intertextualita, Bastille, populární hudba, pop hudba, typy intertextuality, reference, filmy
Keywords in English intertextuality, Bastille, popular music, pop music, types of intertextuality, reference, films
Length of the covering note 49 s. (80 892)
Language AN
Annotation
Cílem této práce je představit typy intertextuality v písních britské hudební skupiny Bastille. V první kapitole je vysvětlen koncept intertextuality, její původ a jsou zde vysvětleny typy intertextuality v textu a hudbě. Jelikož se práce také zaměřuje na populární hudbu, v druhé kapitole je rozebrána populární hudba a její historie. V následující kapitole je představena skupina Bastille a její historie od jejího začátku do současnosti. Poslední kapitola se zabývá písněmi, které obsahují nejvíce intertextuálních referencí na literární díla, filmy a historické události. Písně jsou seřazeny chronologicky dle data vydání alba. Na konci poslední kapitoly je popsán projekt, který skupina představila loni svým fanouškům, a ve kterém kapela pomocí intertextuálních referencí vytvořila krátké písně.
Annotation in English
The aim of this thesis is to present the types of intertextuality in the songs of the British band Bastille. In the first chapter, the concept of intertextuality, its origins, and types of intertextuality in text and music are explained. As the thesis also focuses on popular music, popular music and its history are discussed in the second chapter. The band Bastille and its history from its beginning to the present day is introduced in the following chapter. The last chapter deals with the songs that contain the most intertextual references to literary works, films, and historical events. The songs are in chronological order according to the album's release date. At the end of the last chapter, the project that the band presented to its fans last year and in which the band used intertextual references to produce short songs is described.
Keywords
intertextualita, Bastille, populární hudba, pop hudba, typy intertextuality, reference, filmy
Keywords in English
intertextuality, Bastille, popular music, pop music, types of intertextuality, reference, films
Research Plan

Shromáždění materiálů k tématu

Studium odborné literatury

Formulace cílů práce

Analýza materiálu v souladu s cíli práce

Vyvození a formulace závěrů práce

Research Plan

Shromáždění materiálů k tématu

Studium odborné literatury

Formulace cílů práce

Analýza materiálu v souladu s cíli práce

Vyvození a formulace závěrů práce

Recommended resources

Allen, Graham. Intertextuality. 2nd ed. London: Routledge, 2011.

Baron, Scarlett. The Birth of Intertextuality: The Riddle of Creativity. New York: Routledge, 2020.

Burns, Lori, and Serge Lacasse, eds. The Pop Palimpsest: Intertextuality in Recorded Popular Music. Ann Arbor: University of Michigan Press, 2018.

Der, Van, Louis Peter Grijp, and Wim Van Anrooij. Identity, Intertextuality, and Performance in Early Modern Song Culture. Leiden: Brill, 2016.

Stanley, Bob. Yeah! Yeah! Yeah! The Story of Pop Music from Bill Haley to Beyoncé. New York: Norton, 2014.

Recommended resources

Allen, Graham. Intertextuality. 2nd ed. London: Routledge, 2011.

Baron, Scarlett. The Birth of Intertextuality: The Riddle of Creativity. New York: Routledge, 2020.

Burns, Lori, and Serge Lacasse, eds. The Pop Palimpsest: Intertextuality in Recorded Popular Music. Ann Arbor: University of Michigan Press, 2018.

Der, Van, Louis Peter Grijp, and Wim Van Anrooij. Identity, Intertextuality, and Performance in Early Modern Song Culture. Leiden: Brill, 2016.

Stanley, Bob. Yeah! Yeah! Yeah! The Story of Pop Music from Bill Haley to Beyoncé. New York: Norton, 2014.

Týká se praxe No
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