Course: Literature in Film

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Course title Literature in Film
Course code UMJL/EXLIF
Organizational form of instruction Seminary
Level of course Master
Year of study not specified
Semester Winter and summer
Number of ECTS credits 4
Language of instruction English
Status of course Compulsory-optional
Form of instruction Face-to-face
Work placements This is not an internship
Recommended optional programme components None
Lecturer(s)
  • Fonfárová Vladimíra, Mgr. Ph.D.
Course content
Adapting a literary work into audiovisual form: key terms and concepts from adaptation theory Elizabethan theatre as musical: adapting the works of William Shakespeare Anti-romanticism in the text versus romanticism on the screen: adapting Jane Austen's works Monsters and the roots of evil in horror adaptations of Mary Shelley's work Mythology and folklore in adaptations of Bram Stoker's works Female victims versus heroines in the adaptations of R. L. Stevenson's works From innocence to experience: adaptations of Henry James's works Adapting Arthur Conan Doyle's works for the 21st century The story of (secret) mourning: an adaptation of Christopher Isherwood's work Implicit vs. explicit homoeroticism in the adaptations of Anne Rice's work

Learning activities and teaching methods
  • Home preparation for classes - 50 hours per semester
  • Term paper - 42 hours per semester
  • Participation in classes - 28 hours per semester
learning outcomes
Knowledge
describe the process of adapting a literary work
describe the process of adapting a literary work
explain basic concepts and terms from the theory of adaptation of a literary work into an audiovisual form
explain basic concepts and terms from the theory of adaptation of a literary work into an audiovisual form
identify the specifics of the adaptation of a literary work into audiovisual form with regard to the type of audiovisual medium
identify the specifics of the adaptation of a literary work into audiovisual form with regard to the type of audiovisual medium
distinguish an adaption from non-adaptation
distinguish an adaption from non-adaptation
describe the aesthetic features of selected genres and their translation into audiovisual form
describe the aesthetic features of selected genres and their translation into audiovisual form
Skills
analyze the process of adaptation of a literary work
analyze the process of adaptation of a literary work
identify the problems that occur when adapting a literary work into audiovisual form
identify the problems that occur when adapting a literary work into audiovisual form
analyze chosen adaptations of literary works
analyze chosen adaptations of literary works
assess aesthetic qualities of selected adaptations of literary works
assess aesthetic qualities of selected adaptations of literary works
assess the cultural contribution of audiovisual adaptations of literary works
assess the cultural contribution of audiovisual adaptations of literary works
teaching methods
Knowledge
Monologic (Exposition, lecture, briefing)
Monologic (Exposition, lecture, briefing)
Dialogic (Discussion, conversation, brainstorming)
Dialogic (Discussion, conversation, brainstorming)
Individual work of students
Individual work of students
Skills
Analysis of a work of art
Analysis of a work of art
Text analysis
Text analysis
Individual work of students
Individual work of students
assessment methods
Knowledge
Analysis of a presentation given by the student
Analysis of a presentation given by the student
Analysis of seminar paper
Analysis of seminar paper
Analysis of the student's performance
Analysis of the student's performance
Recommended literature
  • Bazin, André. André Bazin on Adaptation: Cinema?s Literary Imagination. Oakland, 2022.
  • Cahir, Linda Constanzo. Literature into Film: Theory and Practical Approaches. Jefferson, 2014.
  • Cartmell, Deborah (ed.). A Companion to Literature, Film and Adaptation. Chichester, 2012.
  • Desmond, John - Hawkes, Peter. Adaptation: Studying Film and Literature. New York, 2005.
  • Elliott, Kamilla. Theorizing Adaptation. Oxford, 2020.
  • Hand, Richard - McRoy, Jay. Monstrous Adaptations: Generic and Thematic Mutations in Horror Film. Manchester, 2016.
  • Hutcheon, Linda - O´Flynn, Siobhan. A Theory of Adaptation. Oxon, 2013.
  • Krasilovsky, Alexis. Great Adaptations: Screenwriting and Global Storytelling. Oxon, 2018.
  • Lehmann, Courtney. Screen Adaptations: Shakespeare?s Romeo and Juliet. London, 2010.
  • Leitch, Thomas, ed. The Oxford Handbook of Adaptation Studies. Oxford, 2020.
  • Leitch, Thomas. Film Adaptation and Its Discontents. Baltimore, 2007.
  • Snyder, Mary H. Analyzing Literature-to-Film Adaptations. London, 2011.


Study plans that include the course
Faculty Study plan (Version) Category of Branch/Specialization Recommended year of study Recommended semester