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Lecturer(s)
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Kudláč Jakub, prof. Mgr. Ph.D.
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Course content
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- the history of music of the 19th and 20 century - development of concepts and trends - Impressionism, expressionism and other schools
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Learning activities and teaching methods
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Lecturing, Dialogic (Discussion, conversation, brainstorming), Analysis of a work of art
- Participation in classes
- 26 hours per semester
- Preparation for course credit
- 10 hours per semester
- Home preparation for classes
- 28 hours per semester
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| prerequisite |
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| Knowledge |
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| No specific prerequisites |
| No specific prerequisites |
| learning outcomes |
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| Students will become familair with the music of the 20-th century. They will have an elementary insight of the systamatics of music. The course is intended primarily for students of audiovisual arts and should provide them with means for prospective communication with musicians in the course of their professional career. |
| Students will become familair with the music of the 20-th century. They will have an elementary insight of the systamatics of music. The course is intended primarily for students of audiovisual arts and should provide them with means for prospective communication with musicians in the course of their professional career. |
| - knows the basic developmental milestones of 20th century music, including popular and electronic music |
| - knows the basic developmental milestones of 20th century music, including popular and electronic music |
| - can name the individual composers of each movement of modern music |
| - can name the individual composers of each movement of modern music |
| - knows the instrumental characteristics of individual movements of modern music |
| - knows the instrumental characteristics of individual movements of modern music |
| - distinguishes forms and genres of 20th century music |
| - distinguishes forms and genres of 20th century music |
| - understands the changes of music in society in the 20th century |
| - understands the changes of music in society in the 20th century |
| Skills |
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| - can correctly classify music by listening |
| - can correctly classify music by listening |
| - can better communicate with the composer about the music in the process of making their film |
| - can better communicate with the composer about the music in the process of making their film |
| - can correctly name his/her musical idea |
| - can correctly name his/her musical idea |
| - can make informed music choices |
| - can make informed music choices |
| - can implement a musical plan |
| - can implement a musical plan |
| teaching methods |
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| Knowledge |
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| Dialogic (Discussion, conversation, brainstorming) |
| Dialogic (Discussion, conversation, brainstorming) |
| Analysis of a work of art |
| Lecturing |
| Lecturing |
| Analysis of a work of art |
| assessment methods |
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| Written examination |
| Written examination |
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Recommended literature
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ARISTOTELÉS. Fyzika. . Praha : Rezek, 1996. ISBN 80-86027-03-1.
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ARISTOTELÉS. O duši. Praha : Rezek, 1995. ISBN 80-901796-4-9.
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AUGUSTIN. Vyznání. . Praha : Kalich, 1997. ISBN 80-7017-037-9.
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Bláha, Ivo. Zvuková dramaturgie audiovizuálního díla. 1. vyd. Praha : Akademie múzických umění, 1995. ISBN 808588304X.
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BROWN, ROYAL S. Overtones and undertones : reading film music. . Berkelery : University of California Press, 1994.
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BURT, GEORGE . The art of film music: special amphasis on Hugo Friedhofer, Alex North, David Raksin, Leonard Roseman. Boston: Notrheastern University Press, 1994.
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CAVALCANTI, ALBERTO. Sound in Films.
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CLAIR, RENÉ. The Art of Sound. .
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DODDS,E.R. Řekové a iracionálno. Praha : OIKOYMENH, 2000. ISBN 80-7298-011-4.
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EISENSTEIN,S.M.,PUDOVKIN,V.I.,ALEXANDROV,G.V. A Statement. .
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FOUCAULT, MICHEL. Dějiny šílenství. Praha : Lidové noviny, 1994. ISBN 80-7106-085-2.
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HUSSERL, EDMUND. Přednášky k fenomenologii vnitřního časového vědomí. . Rychnov nad Kněžnou : Ježek, 1996. ISBN 80-901625-9-2.
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KAHL, CHARLES. Pythagoras and the Pythagoreans: A Brief History. Cambridge: Hackett Publishing Company, Indianapolis, 2001.
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KRACAUER, SIEGFRIED. Dialogue and Sound. .
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LEXMANN, JURAJ . Teória filmovej hudby. . Bratislava: Veda, 1981.
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MANVELL ROGER. The Technique of Film Music. . London: Focal Press, 1967.
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MATZNER,A., PILKA,J. Česká filmová hudba. . Praha: Dauphin, 2002. ISBN 80-7272-013-9.
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PLATÓN . Timaios. Praha : OIKOYMENH, 1996. ISBN 80-86005-07-0.
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PLATÓN. Ústava. Praha : Oikoymenh, 1996. ISBN 80-86005-28-3.
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PLAZEWSKI, JERZY. Filmová řeč . Praha : Orbis, 1967.
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PUDOVKIN, V.I. Asynchronism as a Principle of Sound Film. .
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