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Lecturer(s)
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Černohorský Jiří, Mgr. Ph.D.
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Course content
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1. - 2. Mastering the basic procedures for preparing negatives for historical photography techniques 3. - 6. Mastering the techniques of albumen 7. - 10. Master the oil printing technique 11. - 12. Repairs and retouching, conservation design of the above techniques
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Learning activities and teaching methods
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- Participation in classes
- 24 hours per semester
- Home preparation for classes
- 24 hours per semester
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| prerequisite |
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| Knowledge |
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| Knowledge of basic processes during the work in a dark chamber |
| Knowledge of basic processes during the work in a dark chamber |
| learning outcomes |
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| can explain the chemical basis of photographic techniques |
| can explain the chemical basis of photographic techniques |
| can explain the preparation of a negative |
| can explain the preparation of a negative |
| can explain the principle of albumen print |
| can explain the principle of albumen print |
| can explain the principle of Oil print process |
| can explain the principle of Oil print process |
| can explain the method of identification of albumin and oil printing techniques, and suggest a method of preservation |
| can explain the method of identification of albumin and oil printing techniques, and suggest a method of preservation |
| Skills |
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| create a negative for historical photography techniques |
| create a negative for historical photography techniques |
| can prepare chemical solutions for historical photography techniques |
| can prepare chemical solutions for historical photography techniques |
| can process a photograph using the albumen print technique |
| can process a photograph using the albumen print technique |
| can process a photograph using the Oil print process |
| can process a photograph using the Oil print process |
| can identify the technique of albumen and oil printing in historical photographs, propose a method of preserving photographs |
| can identify the technique of albumen and oil printing in historical photographs, propose a method of preserving photographs |
| teaching methods |
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| Knowledge |
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| Demonstration |
| Demonstration |
| Simple experiments |
| Simple experiments |
| Lecturing |
| Lecturing |
| Individual work of students |
| Individual work of students |
| Skills |
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| Simple experiments |
| Simple experiments |
| Individual work of students |
| Individual work of students |
| assessment methods |
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| Knowledge |
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| Analysis of the student's performance |
| Analysis of the student's performance |
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Recommended literature
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BUFKA, Vladimír Jindřich. Katechismus fotografie. Praha: Hejda a Tuček, 1913.
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EISMANOVÁ, Katrin. Photoshop - retušování a restaurování fotografie. Zoner Press, 2008. ISBN 978-80-86815-23-7.
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FARBER, Richard. Historic Photographic Processes: A Guide to Creating Handmade Photographic Images. Allworth Press, 1998. ISBN 9978-188059932.
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JAMES, Christopher. The Book of Alternative Photographic Processes. Stamford: Cengage Learning, 2008. ISBN 1418073725.
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Jürgens, M. C. The Digital Print Identification and Preservation. Getty Publications, 2009.
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SCHEUFLER, Pavel. Historické fotografické techniky. Praha: IPOS, 1993. ISBN 80-901265-2-9.
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VÁVROVÁ, P., KRČMÁŘOVÁ, Š. Přístupy k identifikaci historických fotografických technik. In Sborník z Konference Restaurování a ochrana uměleckých malířských a sochařských děl. Litomyšl, 2006.
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ZELINGER, J. Chemie v práci konzervátora a restaurátora. Praha, 1987.
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