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Lecturer(s)
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Királyová Bernadett, MgA.
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Tomšů Jan, MgA.
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Course content
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1. Set design and installation in public spaces. 2. Scene and installation as a form of communication. 3. Connecting exterior and interior in film production. 4. Materials in scenography. 5. Materials for scenic creation in public space. 6. Practical exercises - creating a script. 7. Practical exercise - creating a subordinate type of space. 8. Practical exercise - creation in the exterior. 9. Assignment of the theme of the author's design. 10. Consultation of the author's design research. 11. Elaboration of the author's proposal concept. 12. Preparation of the study of the author's proposal. 13. Presentation of the author's proposal. The student will acquire basic knowledge in the field of scenic design in all forms and will expand his/her visual perception in the field of creating scenic space. The student will be able to respond with original work to literary and dramatic and free thought.
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Learning activities and teaching methods
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- Participation in classes
- 26 hours per semester
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| prerequisite |
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| Knowledge |
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| - a basic idea of the work of a scenographer |
| - a basic idea of the work of a scenographer |
| learning outcomes |
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| - knowledge of needs and requirements for scenic space |
| - knowledge of needs and requirements for scenic space |
| - definition of differences in decorations and set design in theater, studio, etc. |
| - definition of differences in decorations and set design in theater, studio, etc. |
| - knowledge of the basic material portfolio in scenography |
| - knowledge of the basic material portfolio in scenography |
| - knowledge of basic lighting technology (functional and scenic) |
| - knowledge of basic lighting technology (functional and scenic) |
| - knowledge of the context of scenic production, teamwork, documentation |
| - knowledge of the context of scenic production, teamwork, documentation |
| Skills |
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| - decoration design or set design |
| - decoration design or set design |
| - understanding the libretto, the script and creating graphic outputs of the design |
| - understanding the libretto, the script and creating graphic outputs of the design |
| - orientation in the space of the stage, studio, film space |
| - orientation in the space of the stage, studio, film space |
| - manual skill in creating models and mock-ups of stage decoration, set design |
| - manual skill in creating models and mock-ups of stage decoration, set design |
| - communication with the implementation team |
| - communication with the implementation team |
| teaching methods |
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| Knowledge |
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| Educational trip |
| Educational trip |
| Individual work of students |
| Individual work of students |
| Skills |
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| Activities related to graphics and visual arts |
| Activities related to graphics and visual arts |
| Practice exercises |
| Practice exercises |
| assessment methods |
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| Knowledge |
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| Analysis of creative works (Music, visual arts, literature) |
| Analysis of creative works (Music, visual arts, literature) |
| Preparation of a presentation |
| Preparation of a presentation |
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Recommended literature
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ALBERTOVÁ, Helena. Josef Svoboda - scénograf. Praha: Institut umění - Divadelní ústav, 2012. ISBN 9788070082904.
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ČERNÝ, Jiří. Základy scénického a architektonického svícení 1-3. Nakladatelství Akademie múzických umění v Praze, Praha. 2021.
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KLANG, Michael. Televizní konfese. Zlín: Univerzita Tomáše Bati, 2018. ISBN 9788074548086.
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MCKINNON, Peter a Eric FIELDING. World scenography. London: Nick Hern Books. 2012.
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Moran, Nick. Světelný design : pro divadlo, koncerty, výstavy a živé akce. Vyd. 1. [Praha] : Institut umění - Divadelní ústav ve spolupráci s Institutem světelného designu, 2010. ISBN 978-80-7008-246-1.
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Schätz, Miroslav. Moderní materiály ve výtvarné praxi. 1. vyd. Praha : SNTL - Nakladatelství technické literatury, 1982.
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Tairov, Alexandr. Osvobozené divadlo. Praha : Orbis, 1927.
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Zavarský, J. Kapitoly ze scénografie.
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