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Lecturer(s)
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Királyová Bernadett, MgA.
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Tomšů Jan, MgA.
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Course content
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1. Basic terms - dialogue. 2. Introduction to scenography. 3. Scenic environment. 4. Mise-en-scene. 5. Theatre, film, installation. 6. Design of buildings and their implementation. 7. The relation of the artist to the bookmarks of the staff. 8. Director / lecture by an external expert / 9. Cameraman / lecture by an external expert / 10. Expedition / lecture by an external expert / 11. From script to design. 12. Analysis of a film artwork. 13. Analysis of a theatrical work. The student will gain basic knowledge in the field of scenic design in all forms and expand his/her visual perception in the field of creation scenic space. The student will be able to respond with original work to literary and dramatic and free thought.
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Learning activities and teaching methods
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Dialogic (Discussion, conversation, brainstorming), Demonstration, Projection (static, dynamic), Work activities (Practical training), Activities related to graphics and visual arts, Individual work of students, Educational trip
- Participation in classes
- 26 hours per semester
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| prerequisite |
|---|
| Knowledge |
|---|
| - basic compositional principles |
| - basic compositional principles |
| - basics of color symbolism |
| - basics of color symbolism |
| - human scale and perspective |
| - human scale and perspective |
| - the effect of light and shadow |
| - the effect of light and shadow |
| - basic modeling materials |
| - basic modeling materials |
| Skills |
|---|
| - basic art techniques |
| - basic art techniques |
| - modeling skill |
| - modeling skill |
| - creation of drawing documentation (manual drawing) |
| - creation of drawing documentation (manual drawing) |
| - spatial imagination |
| - spatial imagination |
| - conceptual thinking |
| - conceptual thinking |
| learning outcomes |
|---|
| Knowledge |
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| - perception of industry contexts and requirements - scenography |
| - perception of industry contexts and requirements - scenography |
| - defining the scope and content of the documentation for the proposed project |
| - defining the scope and content of the documentation for the proposed project |
| - analysis of user needs and space creation requirements |
| - analysis of user needs and space creation requirements |
| - an overview of the materials and colors used |
| - an overview of the materials and colors used |
| - perception of working with light |
| - perception of working with light |
| Skills |
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| - logical presentation and authorization of the proposal |
| - logical presentation and authorization of the proposal |
| - creation of basic drawings, visualizations and work with scale |
| - creation of basic drawings, visualizations and work with scale |
| - creation of physical models |
| - creation of physical models |
| - communication with professional professions in connection with the implementation of the proposal into practice |
| - communication with professional professions in connection with the implementation of the proposal into practice |
| - create design manual |
| - create design manual |
| teaching methods |
|---|
| Knowledge |
|---|
| Dialogic (Discussion, conversation, brainstorming) |
| Activities related to graphics and visual arts |
| Activities related to graphics and visual arts |
| Individual work of students |
| Individual work of students |
| Dialogic (Discussion, conversation, brainstorming) |
| Skills |
|---|
| Work activities (Practical training) |
| Work activities (Practical training) |
| assessment methods |
|---|
| Knowledge |
|---|
| Analysis of creative works (Music, visual arts, literature) |
| Analysis of creative works (Music, visual arts, literature) |
| Workplace supervision |
| Workplace supervision |
| Preparation of a presentation |
| Preparation of a presentation |
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Recommended literature
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Moderní materiály ve výtvarné praxi.
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ALBERTOVÁ, Helena. Josef Svoboda - scénograf. Praha: Institut umění - Divadelní ústav, 2012. ISBN 9788070082904.
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Černý, J. Základy architektonického a scénického svícení. I. díl. Praha : AMU, 2002. ISBN 80-7331-906-3.
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Gombrich, E. H. Příběh umění. Praha : Odeon, 1992. ISBN 80-207-0416-7.
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KLANG, Michael. Televizní konfese. Zlín: Univerzita Tomáše Bati, 2018. ISBN 9788074548086.
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MCKINNON, Peter a Eric FIELDING. World scenography. London: Nick Hern Books, 2012. ISBN 9789299006344.
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Moran, Nick. Světelný design : pro divadlo, koncerty, výstavy a živé akce. Vyd. 1. [Praha] : Institut umění - Divadelní ústav ve spolupráci s Institutem světelného designu, 2010. ISBN 978-80-7008-246-1.
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Schätz, Miroslav. Moderní materiály ve výtvarné praxi. Praha: SNTL, 1982.
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ŠVÁCHA, Rostislav, Taťána PETRASOVÁ, Klára BENEŠOVSKÁ. Dějiny umění v českých zemích 800-2000. V Řevnicích: Arbor vitae societas, 2017. ISBN 9788090453487.
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Tairov, Alexandr. Osvobozené divadlo. Praha : Orbis, 1927.
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Zavarský, J. Kapitoly ze scénografie.
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