Lecturer(s)
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Mayer Viktor, Mgr.
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Konečný Lubomír, MgA.
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Course content
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The teaching emphasizes the phase of development of an audiovisual work. Practical acquisition of the system of controlled production at FMK UTB. Specific topics: - production preparation - discretion of project suitability, market readiness, possible returns - literary preparation and its legal framework - administration during film production - acting issues - the co-production structure Practical exercises: - joint interdisciplinary exercises - processing an application for the development of an audiovisual work - pitching
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Learning activities and teaching methods
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Lecturing, Projection (static, dynamic), Practice exercises
- Participation in classes
- 78 hours per semester
- Home preparation for classes
- 22 hours per semester
- Preparation for examination
- 50 hours per semester
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prerequisite |
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Knowledge |
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Prerequisites not specified |
Prerequisites not specified |
Skills |
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Prerequisites not specified |
Prerequisites not specified |
learning outcomes |
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Knowledge |
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- explain the differences between the production of a feature film, television program, animated film, and commercial |
- explain the differences between the production of a feature film, television program, animated film, and commercial |
- describe individual functions in the production team |
- describe individual functions in the production team |
- explain budget creation |
- explain budget creation |
- describe the preparation of the shooting schedule |
- describe the preparation of the shooting schedule |
- describe working with technical scenarios and technical data sheets |
- describe working with technical scenarios and technical data sheets |
Skills |
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- is able to independently assemble a team |
- is able to independently assemble a team |
- implement AVD preparation |
- implement AVD preparation |
- create a planned price calculation for individual genres |
- create a planned price calculation for individual genres |
- is able to lead and organize a team |
- is able to lead and organize a team |
- propose a division of motifs according to filming locations |
- propose a division of motifs according to filming locations |
teaching methods |
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Knowledge |
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Lecturing |
Lecturing |
Projection (static, dynamic) |
Projection (static, dynamic) |
Practice exercises |
Practice exercises |
assessment methods |
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Analysis of creative works (Music, visual arts, literature) |
Composite examination (Written part + oral part) |
Composite examination (Written part + oral part) |
Analysis of creative works (Music, visual arts, literature) |
Recommended literature
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Výrobní kniha ateliéru Audiovizuální tvorba..
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BILÍK Petr, ČERNÍK Jan. Filmař Jaromír Kallista. Olomouc, 2019. ISBN 978-80-7331-500-9.
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HOPE Ted. Hope for film.. Berkley, 2014. ISBN 978-1-61902-332-1.
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Kerrigan. Film Marketing. New York, 2017. ISBN 978-1-138-01335-3.
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VACHON Christine. Shooting to Kill. London, 1998. ISBN 7475-3971-5.
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