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Lecturer(s)
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Velič Martin, MgA. ArtD.
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Kubeček Tomáš, MgA.
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Pustina Kocí Irena, MgA. Ph.D., MBA
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Liebenberger Július, Mgr. art. ArtD.
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Masník Boris, ak. mal.
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Konečný Lubomír, MgA.
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Ondruš Juraj, MgA. Ph.D.
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Pešek Lukáš, MgA.
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Course content
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Tasks related to activities of a director, screenwriter, production manager, DOP, editor, master of sound, and VFX supervisor within the stages of pre-production, production and post-production are analysed in detail. Mutual connectedness with the rest of the filming crew jobs is also discussed. Specifics of preparations, filming and post-production of dialogues are introduced in their content and form.
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Learning activities and teaching methods
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Lecturing, Dialogic (Discussion, conversation, brainstorming), Methods for working with texts (Textbook, book), Practice exercises, Teamwork
- Participation in classes
- 26 hours per semester
- Preparation for examination
- 24 hours per semester
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| prerequisite |
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| Knowledge |
|---|
| Prerequisites not specified |
| Prerequisites not specified |
| Skills |
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| Prerequisites not specified |
| Prerequisites not specified |
| learning outcomes |
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| Knowledge |
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| Understanding the rules of all fields of audiovisual production. |
| Understanding the rules of all fields of audiovisual production. |
| - The student will explain the basic activities of the profession of director and screenwriter, |
| - The student will explain the basic activities of the profession of director and screenwriter, |
| - define the work of a producer and a cinematographer, |
| - define the work of a producer and a cinematographer, |
| - define the professional work of the editor and sound engineer, |
| - define the professional work of the editor and sound engineer, |
| - explain the role of the visual effects supervisor in the pre-production, production and post-production phases, |
| - explain the role of the visual effects supervisor in the pre-production, production and post-production phases, |
| - lists the continuities of all the professions of the film crew, |
| - lists the continuities of all the professions of the film crew, |
| - define the specifics of the preparation, shooting and post-production of dialogue scenes. |
| - define the specifics of the preparation, shooting and post-production of dialogue scenes. |
| Skills |
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| - The student uses the knowledge of individual professions in his/her work, |
| - The student uses the knowledge of individual professions in his/her work, |
| - Determines adequate requirements for crew members in the realization of a film work, |
| - Determines adequate requirements for crew members in the realization of a film work, |
| - uses professional aspects of individual professions in team consultations, |
| - uses professional aspects of individual professions in team consultations, |
| - identifies the needs of filming preparation, |
| - identifies the needs of filming preparation, |
| - uses knowledge in shooting and post-production of dialogue scenes |
| - uses knowledge in shooting and post-production of dialogue scenes |
| teaching methods |
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| Knowledge |
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| Lecturing |
| Dialogic (Discussion, conversation, brainstorming) |
| Dialogic (Discussion, conversation, brainstorming) |
| Lecturing |
| Methods for working with texts (Textbook, book) |
| Methods for working with texts (Textbook, book) |
| Practice exercises |
| Practice exercises |
| Teamwork |
| Teamwork |
| assessment methods |
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| Analysis of the student's performance |
| Analysis of seminar paper |
| Analysis of seminar paper |
| Analysis of a work of art |
| Analysis of a work of art |
| Systematic observation of the student |
| Systematic observation of the student |
| Analysis of the student's performance |
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Recommended literature
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BORDWELL, David a Kristin THOMPSON. Umění filmu: úvod do studia formy a stylu. Praha: Nakladatelství Akademie múzických umění v Praze, 2011. ISBN 978-80-7331-217-6.
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Christopher j. Bowen, Roy Thompson. Grammar of the Edit. 2013. ISBN 978-024-0526-089.
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Jech, Pavel. The seven minute screenplay. 1. vyd. V Praze : Akademie múzických umění, 2009. ISBN 978-80-7331-153-7.
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LANDAU Neil, FREDERICK Matthew. 101 things I learned in film school.. New York, NY: Grand Central Pub, 2010. ISBN 978-0-446-55027-7.
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ted jones, Chris Patmore. Škola filmaření. Praha, 2013. ISBN 978-80-7391-867-5.
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