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Lecturer(s)
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Course content
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The course acquaints students with the basics of theoretical and practical aspects of editing. After introducing the topic of digital technologies, nonlinear editing programs and introducing editing workplaces, students work on assigned practical exercises. Topics: - What is the film editing? - Introduction to editing workplaces and rules. - The connection between the shots, the basics of the compositional rules. - Introduction to Adobe Premiere Pro. - When, how and why to cut? - Formats and general principles of compression. - Continuous editing. - Pacing and rhythm. Practical excercises: - Joint interdisciplinary exercise. - Linear connection between shots. - Tire exchange. - Technological exercise. - Temporythmic exercise. - Cutting as manipulation. - Practical editing exam. Workshops: - TV news. - Talking head editing. - Dancing sequence editing.
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Learning activities and teaching methods
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Monologic (Exposition, lecture, briefing), Projection (static, dynamic), Exercises on PC, Teamwork, Analysis of a work of art, Individual work of students
- Home preparation for classes
- 22 hours per semester
- Preparation for examination
- 50 hours per semester
- Participation in classes
- 78 hours per semester
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| prerequisite |
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| Knowledge |
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| Prerequisites not specified |
| Prerequisites not specified |
| Skills |
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| Prerequisites not specified |
| Prerequisites not specified |
| learning outcomes |
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| Knowledge |
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| List different dramaturgical concepts and approaches |
| List different dramaturgical concepts and approaches |
| Characterize the work of an editor on TV series and feature-length formats |
| Characterize the work of an editor on TV series and feature-length formats |
| Describe current trends in the field of film editing and image post-production |
| Describe current trends in the field of film editing and image post-production |
| Explain in detail the rules and concepts of film editing |
| Explain in detail the rules and concepts of film editing |
| List key editing concepts and approaches |
| List key editing concepts and approaches |
| Skills |
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| Collaborate collectively on a feature-length feature and series |
| Collaborate collectively on a feature-length feature and series |
| Analyze the dramaturgy of an audiovisual work |
| Analyze the dramaturgy of an audiovisual work |
| Communicate constructively and solve problems regarding the film editing |
| Communicate constructively and solve problems regarding the film editing |
| Reflect on own work both orally and in writing |
| Reflect on own work both orally and in writing |
| Apply the knowledge in professional practice |
| Apply the knowledge in professional practice |
| Analyze and prepare the specified areas of the master's examination |
| Analyze and prepare the specified areas of the master's examination |
| Edit a graduation project |
| Edit a graduation project |
| teaching methods |
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| Knowledge |
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| Teamwork |
| Teamwork |
| Projection (static, dynamic) |
| Individual work of students |
| Analysis of a work of art |
| Analysis of a work of art |
| Exercises on PC |
| Exercises on PC |
| Projection (static, dynamic) |
| Monologic (Exposition, lecture, briefing) |
| Monologic (Exposition, lecture, briefing) |
| Individual work of students |
| assessment methods |
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| Analysis of the student's performance |
| Analysis of creative works (Music, visual arts, literature) |
| Analysis of creative works (Music, visual arts, literature) |
| Analysis of the student's performance |
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Recommended literature
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Gael Chandler. Cut by cut: editing your film or video. CA, 2012. ISBN 978-161-5930-906.
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Christopher j. Bowen, Roy Thompson. Grammar of the Edit. 2013. ISBN 978-024-0526-089.
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Jago, Maxim. Adobe Premiere Pro CC: Classroom in a Book. San Francisco, 2016. ISBN 9780134309989.
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VALUŠIAK Josef. Základy střihové skladby.. Praha FAMU.
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