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Lecturer(s)
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Velič Martin, MgA. ArtD.
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Krcha Daniel, MgA. Ph.D.
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Pešek Lukáš, MgA.
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Course content
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The course unit is supervised and coordinated by a guarantor in three seminar groups. In these groups students gain theoretical knowledge in the film language area, but they also gain practical experience during their realisations of exercises in three-member crews (with no specifications of professions). Created practical works are further analyses in detail with pedagogues in mutual discussions with students during the seminars. Course contents and assignments: - How to tell a story - Characterisation of a hero via his or her actions - Film space - Film time - Sound composition - Storytelling via camera motion - Temporhythm
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Learning activities and teaching methods
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Projection (static, dynamic), Teamwork, Analysis of a work of art
- Home preparation for classes
- 37 hours per semester
- Participation in classes
- 13 hours per semester
- Preparation for examination
- 25 hours per semester
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| prerequisite |
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| Knowledge |
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| Basic knowledge in the field of film speech, acquisition of practical experience in the implementation of partial exercises. |
| Basic knowledge in the field of film speech, acquisition of practical experience in the implementation of partial exercises. |
| learning outcomes |
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| Students are able to create a practical work. |
| Students are able to create a practical work. |
| - defines film form, basic units of film, shot sizes and angles |
| - defines film form, basic units of film, shot sizes and angles |
| - explains the construction of a story |
| - explains the construction of a story |
| - find appropriate characterization of a character |
| - find appropriate characterization of a character |
| - define basic types of editing, pre-shooting and shooting units |
| - define basic types of editing, pre-shooting and shooting units |
| - list the rules of composition |
| - list the rules of composition |
| - explains what is temporality and film time |
| - explains what is temporality and film time |
| Skills |
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| - uses his knowledge of film form in his work |
| - uses his knowledge of film form in his work |
| - chooses appropriate basic units of film |
| - chooses appropriate basic units of film |
| - builds character |
| - builds character |
| - uses compositional rules in the creation |
| - uses compositional rules in the creation |
| - chooses appropriate narrative timing |
| - chooses appropriate narrative timing |
| teaching methods |
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| Knowledge |
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| Teamwork |
| Projection (static, dynamic) |
| Projection (static, dynamic) |
| Analysis of a work of art |
| Analysis of a work of art |
| Teamwork |
| assessment methods |
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| Analysis of creative works (Music, visual arts, literature) |
| Analysis of creative works (Music, visual arts, literature) |
| Workplace supervision |
| Workplace supervision |
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Recommended literature
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Kališ Jan. Problematika filmových dramatických forem: výběr literatury.. Akademie múzických umění. 2. dopl. vyd. V Praze, 2004. ISBN 80-7331-006-6.
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Monaco, James. Jak číst film. Albatros, 2004. ISBN 80-00-01410-6.
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Valušiak Josef. Základy střihové skladby.. Akademie múzických umění. 5. vydání. V Praze, 2017. ISBN 978-80-7331-455-2.
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