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Lecturer(s)
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Course content
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- Basic concepts and rules of cut composition - Film form and editing - Compositing material - Binding between shots - Sequencing, length and continuity of shots - Time and space in film - Editing of sequences, compositional types of montages - Tempo and rhythm - Linear editing
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Learning activities and teaching methods
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- Participation in classes
- 13 hours per semester
- Preparation for course credit
- 12 hours per semester
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| prerequisite |
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| Knowledge |
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| Prerequisites not specified |
| Prerequisites not specified |
| Skills |
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| Prerequisites not specified |
| Prerequisites not specified |
| learning outcomes |
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| Knowledge |
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| List different dramaturgical concepts and approaches |
| List different dramaturgical concepts and approaches |
| Characterize the work of an editor on TV series and feature-length formats |
| Characterize the work of an editor on TV series and feature-length formats |
| Describe current trends in the field of film editing and image post-production |
| Describe current trends in the field of film editing and image post-production |
| Explain in detail the rules and concepts of film editing |
| Explain in detail the rules and concepts of film editing |
| List key editing concepts and approaches |
| List key editing concepts and approaches |
| Skills |
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| Collaborate collectively on a feature-length feature and series |
| Collaborate collectively on a feature-length feature and series |
| Analyze the dramaturgy of an audiovisual work |
| Analyze the dramaturgy of an audiovisual work |
| Communicate constructively and solve problems regarding the film editing |
| Communicate constructively and solve problems regarding the film editing |
| Reflect on own work both orally and in writing |
| Reflect on own work both orally and in writing |
| Apply the knowledge in professional practice |
| Apply the knowledge in professional practice |
| Analyze and prepare the specified areas of the master's examination |
| Analyze and prepare the specified areas of the master's examination |
| Edit a graduation project |
| Edit a graduation project |
| teaching methods |
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| Knowledge |
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| Analysis of a work of art |
| Analysis of a work of art |
| Exercises on PC |
| Exercises on PC |
| Individual work of students |
| Individual work of students |
| Monologic (Exposition, lecture, briefing) |
| Monologic (Exposition, lecture, briefing) |
| Projection (static, dynamic) |
| Projection (static, dynamic) |
| Teamwork |
| Teamwork |
| assessment methods |
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| Analysis of the student's performance |
| Analysis of the student's performance |
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Recommended literature
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Bordwell, David a Kristin Thopson. Umění filmu: úvod do studia formy a stylu. Praha, 2011. ISBN 978-80-7331-217-6.
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Dmytryk, Edward. On Film Editing. Woburn, 1984. ISBN 9780240517384.
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Christopher j. Bowen, Roy Thompson. Grammar of the Edit. 2013. ISBN 978-024-0526-089.
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KUČERA, Jan. Střihová skladba ve filmu a v televizi. 2., dopl. vyd. Akademie múzických umění. Praha, 2002.
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