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Lecturer(s)
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Fišerová Lucia, Mgr. Ph.D.
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Course content
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The course DRF5 is familiar with the development of photography from the 1970s to the present day in the world and in our country. The genres of documentary and journalistic photography, art photography, portrait photography, advertising photography, fashion photography and nude photography are discussed. NOTE: The pedagogue reserves the right to continuously modify the content of the course in relation to the current requirements of ARF students.
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Learning activities and teaching methods
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Lecturing, Projection (static, dynamic)
- Participation in classes
- 26 hours per semester
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| prerequisite |
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| Knowledge |
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| Basic orientation in the terminology of theory, history, and technology of photography. |
| Basic orientation in the terminology of theory, history, and technology of photography. |
| learning outcomes |
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| The student is able to orientate himself in the history of photography of this period with overlaps into the history of art and contemporary non-artistic visuality. Acquiring terminology and understanding developmental relations. Understanding of visual language and possibilities of expression by means of photographic medium. |
| The student is able to orientate himself in the history of photography of this period with overlaps into the history of art and contemporary non-artistic visuality. Acquiring terminology and understanding developmental relations. Understanding of visual language and possibilities of expression by means of photographic medium. |
| Orienting themselves in the history of photography and art on a timeline. |
| Orienting themselves in the history of photography and art on a timeline. |
| Acquiring basic terminology. |
| Acquiring basic terminology. |
| Learning to think about problems not only chronologically but also contextually. |
| Learning to think about problems not only chronologically but also contextually. |
| Understanding individual artistic genres within their definition and their transcending. |
| Understanding individual artistic genres within their definition and their transcending. |
| Familiarizing themselves with key theories of photography. |
| Familiarizing themselves with key theories of photography. |
| Skills |
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| Comparing expressions of individual motifs and themes in art and photography. |
| Comparing expressions of individual motifs and themes in art and photography. |
| Understanding the visual language and the possibilities of expression through the medium of photography. |
| Understanding the visual language and the possibilities of expression through the medium of photography. |
| Applying acquired knowledge of the history of photography to their own creative work. |
| Applying acquired knowledge of the history of photography to their own creative work. |
| Being able to read and decipher a photography exhibition. |
| Being able to read and decipher a photography exhibition. |
| Coming into deeper contact with life itself through the interpretation of images. |
| Coming into deeper contact with life itself through the interpretation of images. |
| teaching methods |
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| Knowledge |
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| Lecturing |
| Lecturing |
| Projection (static, dynamic) |
| Projection (static, dynamic) |
| assessment methods |
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| Didactic test |
| Didactic test |
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Recommended literature
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sledování časopisů: American Photo, Aperture, Art & Antiques, Ateliér, Black & White, Blok, Camera Austria, Colors, Creative Camera, Dart (Slovensko), European Photography, Fotograf, Harpers´ Bazaar, Imago (Slovensko), Labyrint, Listy o fotografii, Photo (francouzské), Photonews, Profil (Slovensko), Prostor (Zlín), Revolver Revue, Umělec, Vogue.
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Anděl, Jaroslav. Česká fotografie 1840-1950 : příběh moderního média. Praha : Kant, 2004. ISBN 80-86217-66-3.
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Baatz, Willfried. Fotografie. Vyd. 1. Praha : Computer Press, 2004. ISBN 8025102106.
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Barthes, Roland. Světlá komora, Agite/Fra. Agite/Fra, Praha, 2005.
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Berger, John. O pohledu. Praha, 2009.
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Birgus, V. Fotografie. Informatorium 2. Praha : Mladá Fronta, 1984.
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Birgus, Vladimír , Mlčoch, Jan. Česká fotografie 20. století : průvodce. Praha : KANT, 2005. ISBN 80-86217-89-2.
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Birgus, Vladimír. Akt v české fotografii. Praha : KANT (Karel Kerlický, 2001. ISBN 8086217353.
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Birgus, Vladimír. Fotografie v českých zemích 1839-1999 : chronologie. 1. uprav. vyd. Praha : Grada, 1999. ISBN 8071699020.
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Císař Karel . Co je to fotografie? . Herrmann & synové, Praha, 2004.
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Frizot, Michael. New History of Photography. Kolín nad Rýnem, 1998.
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Grygar, Štěpán. Konceptuální umění a fotografie. AMU, Praha, 2004.
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Hájek, Václav. Jak rozpoznat odpadkový koš. Praha, 2012.
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Koetzle, H. Lexikon der Fotografen 1900 bis Heute. Mnichov : Knaur, 2002. ISBN 3426664798.
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Kuneš, A., Pospěch, T. (ed.). Čítanka z teorie fotografie. Opava : Slezská univerzita, 2003. ISBN 80-7248-183-5.
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Láb Filip. Soumrak fotožurnalismu. Manipulace fotografie v digitální éře.. Praha, 2004.
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Mrázková, Daniela, Remeš, Vladimír. Cesty československé fotografie. Praha : Mladá fronta, 1989. ISBN 80-204-0015-X.
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Pospěch, Tomáš. Myslet fotografii. Bratislava, 2014.
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Rosenblum, Naomi. A World History of Photography. Abaeville Press Publishers, New York 1984.
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Silverio, Robert. Postmoderní fotografie. AMU, Praha, 2007.
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Sontag Susan. O fotografii. Praha, 2002.
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Warnen Marien, Mary. Photography. A Cultural History. 2010.
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