Course: History of Photography 4

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Course title History of Photography 4
Course code KKTS/MD4DF
Organizational form of instruction Lecture
Level of course Bachelor
Year of study not specified
Semester Summer
Number of ECTS credits 2
Language of instruction Czech
Status of course unspecified
Form of instruction Face-to-face
Work placements This is not an internship
Recommended optional programme components None
Lecturer(s)
  • Fišerová Lucia, Mgr. Ph.D.
Course content
The content of the course DRF4 is the first half of the 20th century (Russian Avant-garde, Lenie Riefenstahl and the birth of fascism, political poster, Dadaism and Surrealism in photography, the beginnings of social and reportage photography, fashion photography, Magnum and Family of Man). Students will become acquainted with the ideological function of photography as a narrator of stories and myths. NOTE: The pedagogue reserves the right to continuously modify the content of the course in relation to the current requirements of ARF students.

Learning activities and teaching methods
Lecturing, Projection (static, dynamic)
  • Home preparation for classes - 26 hours per semester
prerequisite
Knowledge
Basic orientation in the terminology of theory, history, and technology of photography.
Basic orientation in the terminology of theory, history, and technology of photography.
learning outcomes
To orient oneself in the history of photography and art on the timeline
To orient oneself in the history of photography and art on the timeline
Learn the basic terminology
Learn the basic terminology
Learning to think about problems not only chronologically, but also contextually
Learning to think about problems not only chronologically, but also contextually
Understand the different artistic genres within and across their definitions
Understand the different artistic genres within and across their definitions
Familiarize yourself with the key theories of photography
Familiarize yourself with the key theories of photography
Skills
Compare the manifestations of individual motifs and themes in art and photography
Compare the manifestations of individual motifs and themes in art and photography
Understanding visual language and the possibilities of expression through the photographic medium
Understanding visual language and the possibilities of expression through the photographic medium
Know how to read and decipher a photography exhibition
Know how to read and decipher a photography exhibition
Apply the acquired knowledge from the history of photography to their own work
Apply the acquired knowledge from the history of photography to their own work
To come into deeper contact with life itself through the interpretation of images
To come into deeper contact with life itself through the interpretation of images
teaching methods
Knowledge
Projection (static, dynamic)
Projection (static, dynamic)
Lecturing
Lecturing
assessment methods
Didactic test
Didactic test
Recommended literature
  • sledování časopisů: American Photo, Aperture, Art & Antiques, Ateliér, Black & White, Blok, Camera Austria, Colors, Creative Camera, Dart (Slovensko), European Photography, Fotograf, Harpers´ Bazaar, Imago (Slovensko), Labyrint, Listy o fotografii, Photo (francouzské), Photonews, Profil (Slovensko), Prostor (Zlín), Revolver Revue, Umělec, Vogue.
  • Anděl, Jaroslav. Česká fotografie 1840-1950 : příběh moderního média. Praha : Kant, 2004. ISBN 80-86217-66-3.
  • Baatz, Willfried. Fotografie. Vyd. 1. Praha : Computer Press, 2004. ISBN 8025102106.
  • Barthes, Roland. Světlá komora, Agite/Fra. Agite/Fra, Praha, 2005.
  • Berger, John. O pohledu. Praha, 2009.
  • Birgus, V. Fotografie. Informatorium 2. Praha : Mladá Fronta, 1984.
  • Birgus, Vladimír , Mlčoch, Jan. Česká fotografie 20. století : průvodce. Praha : KANT, 2005. ISBN 80-86217-89-2.
  • Birgus, Vladimír. Akt v české fotografii. Praha : KANT (Karel Kerlický, 2001. ISBN 8086217353.
  • Birgus, Vladimír. Fotografie v českých zemích 1839-1999 : chronologie. 1. uprav. vyd. Praha : Grada, 1999. ISBN 8071699020.
  • Císař Karel . Co je to fotografie? . Herrmann & synové, Praha, 2004.
  • Frizot, Michael. New History of Photography. Kolín nad Rýnem, 1998.
  • Grygar, Štěpán. Konceptuální umění a fotografie. AMU, Praha, 2004.
  • Hájek, Václav. Jak rozpoznat odpadkový koš. Praha, 2012.
  • Kuneš, A., Pospěch, T. (ed.). Čítanka z teorie fotografie. Opava : Slezská univerzita, 2003. ISBN 80-7248-183-5.
  • Láb Filip. Soumrak fotožurnalismu. Manipulace fotografie v digitální éře.. Praha, 2004.
  • Mrázková, Daniela, Remeš, Vladimír. Cesty československé fotografie. Praha : Mladá fronta, 1989. ISBN 80-204-0015-X.
  • Pospěch, Tomáš. Myslet fotografii. Bratislava, 2014.
  • Rosenblum, Naomi. A World History of Photography. Abaeville Press Publishers, New York 1984.
  • Scheufler, Pavel. Teze k dějinám fotografie do roku 1918.. Praha, 2000.
  • Silverio, Robert. Postmoderní fotografie. AMU, Praha, 2007.
  • Sontag Susan. O fotografii. Praha, 2002.
  • Trnková, Petra. Podle přírody! Fotografie a umění v 19. století / příklady z českých a moravských sbírek. Brno, 2013.
  • Warnen Marien, Mary. Photography. A Cultural History. 2010.


Study plans that include the course
Faculty Study plan (Version) Category of Branch/Specialization Recommended year of study Recommended semester