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Lecturer(s)
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Fišerová Lucia, Mgr. Ph.D.
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Course content
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1. Fine Art Photography from the 1970s to the Present in the World I. 2. Fine Art Photography from the 1970s to the Present in the World II. 3. Fine art photography from the 1970s to the present in the world III. 4. Fine art photography from the 1970s to the present in the Czech Republic I. 5. Fine art photography from the 1970s to the present in our country II. 6. Contemporary documentary and journalistic photography in the world and in our country. 7. Contemporary advertising and fashion photography in the world and in our country I. 8. Contemporary advertising and fashion photography in the world and in our country II. 9. Contemporary nude and portrait photography in the world and in this country. 10. Contemporary fine art photography and its overlaps into art in the world and in our country I. 11. Contemporary fine art photography and its overlaps into art in the world and in our country II. 12. Contemporary fine art photography and its overlaps into art in the world and in our country III.
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Learning activities and teaching methods
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Lecturing, Projection (static, dynamic)
- Participation in classes
- 20 hours per semester
- Home preparation for classes
- 30 hours per semester
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| prerequisite |
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| Knowledge |
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| Prerequisites not specified |
| Prerequisites not specified |
| Skills |
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| Prerequisites not specified |
| Prerequisites not specified |
| learning outcomes |
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| Knowledge |
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| To orient oneself in the history of photography and art on the timeline |
| To orient oneself in the history of photography and art on the timeline |
| Learn the basic terminology |
| Learn the basic terminology |
| Learning to think about problems not only chronologically, but also contextually |
| Learning to think about problems not only chronologically, but also contextually |
| Understand the different artistic genres within and across their definitions |
| Understand the different artistic genres within and across their definitions |
| Familiarize yourself with the key theories of photography |
| Familiarize yourself with the key theories of photography |
| Skills |
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| Compare the manifestations of individual motifs and themes in art and photography |
| Compare the manifestations of individual motifs and themes in art and photography |
| Understanding visual language and the possibilities of expression through the photographic medium |
| Understanding visual language and the possibilities of expression through the photographic medium |
| Know how to read and decipher a photography exhibition |
| Know how to read and decipher a photography exhibition |
| Apply the acquired knowledge from the history of photography to their own work |
| Apply the acquired knowledge from the history of photography to their own work |
| To come into deeper contact with life itself through the interpretation of images |
| To come into deeper contact with life itself through the interpretation of images |
| teaching methods |
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| Knowledge |
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| Projection (static, dynamic) |
| Lecturing |
| Lecturing |
| Projection (static, dynamic) |
| Skills |
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| Analysis of a work of art |
| Analysis of a work of art |
| Activities related to graphics and visual arts |
| Activities related to graphics and visual arts |
| Experience (self-experience) |
| Experience (self-experience) |
| assessment methods |
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| Knowledge |
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| Didactic test |
| Didactic test |
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Recommended literature
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Baatz, Willfried. Fotografie. Vyd. 1. Praha : Computer Press, 2004. ISBN 8025102106.
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Barthes, Roland. Světlá komora, Agite/Fra. Agite/Fra, Praha, 2005.
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BARTHES, Roland. Světlá komora. Praha: Agite/Fra, 2005. ISBN 978-80-86603-28-5.
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Berger, John. O pohledu. Praha, 2009.
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Grygar, Štěpán. Konceptuální umění a fotografie. AMU, Praha, 2004.
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MARIEN, Mary Warner. Photography. A Cultural History. London: Laurence King Publishing, 2010. ISBN 9781856696661.
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MIRZOEFF, Nicholas. Jak vidět svět. Praha: ArtMap, 2018. ISBN 978-80-906599-5-7.
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Pospěch, Tomáš. Myslet fotografii. Bratislava, 2014.
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Silverio, Robert. Postmoderní fotografie. AMU, Praha, 2007.
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