|
Lecturer(s)
|
-
Prokop Jaroslav, doc. MgA.
-
Sobek Evžen, Ing. MgA.
|
|
Course content
|
- Photographing staged groups of models - Fashion photography in real conditions and in ateliers, architecture - Preparation of own portfolios anh his teoretical Bacherol work
|
|
Learning activities and teaching methods
|
Dialogic (Discussion, conversation, brainstorming), Activities related to graphics and visual arts, Individual work of students
- Participation in classes
- 52 hours per semester
- Home preparation for classes
- 18 hours per semester
- Term paper
- 30 hours per semester
|
| prerequisite |
|---|
| Knowledge |
|---|
| Proficient knowledge of photographic lighting and other available technologies. Creative and independent thinking. Ability to select suitable models and locations, work with light in interior and exterior. |
| Proficient knowledge of photographic lighting and other available technologies. Creative and independent thinking. Ability to select suitable models and locations, work with light in interior and exterior. |
| Knowledge of the history and present of fashion photography is a prerequisite |
| Knowledge of the history and present of fashion photography is a prerequisite |
| A prerequisite is knowledge of the history of architecture and its photography |
| A prerequisite is knowledge of the history of architecture and its photography |
| Mastery of basic architectural terminology |
| Mastery of basic architectural terminology |
| High level of independent creative thinking of the student |
| High level of independent creative thinking of the student |
| the ability to process a file into the form of a publication and its graphic processing |
| the ability to process a file into the form of a publication and its graphic processing |
| Skills |
|---|
| Proficient knowledge of photographic lighting and other available technologies. |
| Proficient knowledge of photographic lighting and other available technologies. |
| the ability to choose suitable models and locations |
| the ability to choose suitable models and locations |
| the ability to control work with light in the interior and exterior |
| the ability to control work with light in the interior and exterior |
| the ability to perceive changes in light when shooting outdoors |
| the ability to perceive changes in light when shooting outdoors |
| sovereign control of post-production and photographic image processing |
| sovereign control of post-production and photographic image processing |
| learning outcomes |
|---|
| Knowledge |
|---|
| The student is well informed in available technologies and in working with light, light construction in combination with real day and artificial light. The student is able to select suitable models and locations with respect to his/her own creative intention. |
| The student is well informed in available technologies and in working with light, light construction in combination with real day and artificial light. The student is able to select suitable models and locations with respect to his/her own creative intention. |
| The student masters available technologies and work with light, light construction with a combination of daylight and artificial light. |
| The student masters available technologies and work with light, light construction with a combination of daylight and artificial light. |
| the student further develops his creativity. |
| the student further develops his creativity. |
| he orients himself in organization and creative work with a group of people during fashion photography in a real environment |
| he orients himself in organization and creative work with a group of people during fashion photography in a real environment |
| knows the history of architecture in the necessary breadth and context |
| knows the history of architecture in the necessary breadth and context |
| knows the necessary breadth and context of the history and present of fashion photography |
| knows the necessary breadth and context of the history and present of fashion photography |
| Skills |
|---|
| can creatively use available photographic technologies, light park, light constructions combining daylight and artificial light |
| can creatively use available photographic technologies, light park, light constructions combining daylight and artificial light |
| can organize and realize photography of architecture in an original way |
| can organize and realize photography of architecture in an original way |
| is capable of post-production work and photo preparation for further presentations at a high level. |
| is capable of post-production work and photo preparation for further presentations at a high level. |
| able to lead the team organizationally and photographically when taking fashion pictures |
| able to lead the team organizationally and photographically when taking fashion pictures |
| It controls the preparation of the composition of photos for publication and its combination with text |
| It controls the preparation of the composition of photos for publication and its combination with text |
| teaching methods |
|---|
| Knowledge |
|---|
| Activities related to graphics and visual arts |
| Activities related to graphics and visual arts |
| Individual work of students |
| Dialogic (Discussion, conversation, brainstorming) |
| Dialogic (Discussion, conversation, brainstorming) |
| Individual work of students |
| assessment methods |
|---|
| Grade (Using a grade system) |
| Grade (Using a grade system) |
| Analysis of a work of art |
| Analysis of a work of art |
| Preparation of a presentation |
| Preparation of a presentation |
|
Recommended literature
|
-
BÁRTL, Lukáš a Petra TRNKOVÁ, ed. Fotografie především. Brno: B&P Publishing, 2017. ISBN 9788074851490.
-
EWING, William A. The Body. Thames&Hudson,, 1994. ISBN 0500277818.
-
KORYČÁNEK, Petr, KUČERA, Adam, ŠTĚCH a Vladimir 518. Praha brutálně krásná: mimořádné stavby postavené v Praze v letech 1969-1989.. Praha: Scholastika, 2018. ISBN 9788090739505.
-
LACHAPELLE, David. Thus Spoke LaChapelle. Arbor vitae, 2011. ISBN 9788087164860.
-
LARG, Alex a Jane WOOD. Beauty shots. Crans: RotoVision, 1997. ISBN 2880463238.
-
ROLLINGSTONE. Die Fotografien. Schirmer/Mosel, 1992. ISBN 3888141958.
-
SZARKOWSKI, John. he Photographer's Eye. The Museum of Modern Art,, 2007. ISBN 9780870705274.
-
ŠLAPAL, Filip. Stempel - Tesař - Šlapal: rodinné domy = family houses. Praha: KANT, 2019.
|