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Lecturer(s)
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Prokop Jaroslav, doc. MgA.
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Jindra Jan, doc. MgA.
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Course content
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- Theoretical and practical tuition of professional photographers - Further development of professional work with classic b/w photography - Colour slide and colour negative photography as well as digital media - Individual tutorials focus on portrait - Fashion - Architecture photography, together with further development of creativity of students
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Learning activities and teaching methods
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Lecturing, Dialogic (Discussion, conversation, brainstorming), Demonstration, Activities related to graphics and visual arts
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| prerequisite |
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| Knowledge |
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| Proficient knowledge of processing classic black and white and colour materials. Ability to select and communicate with models. Selecting and studying suitable objects for architecture and landscape photography. Work with light in interior and exterior. Ability to compile photography files into a publication, simple graphical adjustments. |
| Proficient knowledge of processing classic black and white and colour materials. Ability to select and communicate with models. Selecting and studying suitable objects for architecture and landscape photography. Work with light in interior and exterior. Ability to compile photography files into a publication, simple graphical adjustments. |
| The prerequisite is mastery of the process of working with classic black-and-white and color material, as well as mastering the digital processing of photographic images. Choice and ability to communicate with the model. Selection and study of a suitable object for architecture and landscape photography. Working with light in a photographic studio and in a real environment. The ability to compile a set of photos for publication, mastering simple graphic editing. Working with a large format camera. |
| The prerequisite is mastery of the process of working with classic black-and-white and color material, as well as mastering the digital processing of photographic images. Choice and ability to communicate with the model. Selection and study of a suitable object for architecture and landscape photography. Working with light in a photographic studio and in a real environment. The ability to compile a set of photos for publication, mastering simple graphic editing. Working with a large format camera. |
| - ability to empathize, communicate with the model. |
| - ability to empathize, communicate with the model. |
| the basics of the history of architecture |
| the basics of the history of architecture |
| Basics of the history of fashion photography |
| Basics of the history of fashion photography |
| Creativity |
| Creativity |
| the ability to choose and study a suitable object for architecture and landscape photography. |
| the ability to choose and study a suitable object for architecture and landscape photography. |
| Skills |
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| Theoretical and practical handling of photo processing by analog process |
| Theoretical and practical handling of photo processing by analog process |
| mastering the work process and controlling the digital processing of photographic images. |
| mastering the work process and controlling the digital processing of photographic images. |
| Basic knowledge of working with light in a photographic studio and in a real environment. |
| Basic knowledge of working with light in a photographic studio and in a real environment. |
| The ability to compile a set of photos for publication |
| The ability to compile a set of photos for publication |
| zvládnutí jednoduché grafické úpravy publikace, |
| zvládnutí jednoduché grafické úpravy publikace, |
| learning outcomes |
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| Knowledge |
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| The student is able to manage lighting aspects of face and figure photography in a studio and in real conditions. The student is able to select and communicate with a model and is informed in the basics of dramaturgic building of a photo publication and its simple graphical adjustments. The student is informed in the problems of photographing architecture with a large format camera using classic analogue photographic materials. |
| The student is able to manage lighting aspects of face and figure photography in a studio and in real conditions. The student is able to select and communicate with a model and is informed in the basics of dramaturgic building of a photo publication and its simple graphical adjustments. The student is informed in the problems of photographing architecture with a large format camera using classic analogue photographic materials. |
| It has an overview of the history of architecture photography |
| It has an overview of the history of architecture photography |
| He controls photographs of architecture using analog technology |
| He controls photographs of architecture using analog technology |
| He is able to work with the given model, communicate, empathize with his social environment |
| He is able to work with the given model, communicate, empathize with his social environment |
| The student is introduced to the history of fashion photography. |
| The student is introduced to the history of fashion photography. |
| Ovládá práci se světlem v reálném prostředí |
| Ovládá práci se světlem v reálném prostředí |
| Skills |
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| The student controls the lighting of a human figure, a portrait in a photography studio environment and a real environment, |
| The student controls the lighting of a human figure, a portrait in a photography studio environment and a real environment, |
| manages communication with the given model in relation to his social status even in a more complex situation |
| manages communication with the given model in relation to his social status even in a more complex situation |
| je seznámen s historií fotografie architektury |
| je seznámen s historií fotografie architektury |
| sovereignly controls the process of working with classic black and white and color material as well as digital processing of photographic images |
| sovereignly controls the process of working with classic black and white and color material as well as digital processing of photographic images |
| suverénně ovládá práci se světlem ve fotografickém studiu i reálném prostředí. |
| suverénně ovládá práci se světlem ve fotografickém studiu i reálném prostředí. |
| manages the preparation and implementation of product and creative fashion photography |
| manages the preparation and implementation of product and creative fashion photography |
| teaching methods |
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| Knowledge |
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| Lecturing |
| Lecturing |
| Dialogic (Discussion, conversation, brainstorming) |
| Dialogic (Discussion, conversation, brainstorming) |
| Demonstration |
| Activities related to graphics and visual arts |
| Activities related to graphics and visual arts |
| Demonstration |
| assessment methods |
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| Grade (Using a grade system) |
| Analysis of a work of art |
| Analysis of a work of art |
| Preparation of a presentation |
| Preparation of a presentation |
| Grade (Using a grade system) |
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Recommended literature
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BUSSELLE, Michael. Better picture guide to black & white photography. Crans-Prés-Céligny: RotoVision,, 1998. ISBN 2880463270.
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ENO, Brian. Anton Korbijn Star Trak. A Scirmer/Mosel Production. ISBN 3829600569.
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EWING, William A. The Body. Thames&Hudson, 1994. ISBN 0500277818.
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FRANK, Robert, KEROUAC, Jack. The Americans,. Steidl Verlag, 2008. ISBN 9783865215840.
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GATCHUM, Chris. Móda & světlo, 50 postupů světových fotografů. Computerpress, 2011.
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HLAVÁČKOVÁ, P., SVOBODOVÁ, Š., VALDHANSOVÁ, . Brněnský architektonický manuál: průvodce architekturou 1918-1945.. Brno: Dům umění města Brna, 2017. ISBN 9788070091791.
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HORYNA, Mojmír. an Blažej Santini ? Aichel.. Karolinum, vyd. UK Praha, 1998. ISBN 8071846449.
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CHATRNÝ, JIndřich, ČERNOUŠKOVÁ, Dagmar. Vize modernosti Rudolf Sandallo 1899-1980. Muzeum města Brna, 2018. ISBN 9788086549590.
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PAVLÍK, Milan, UHER, Vladimír. Dialog tvarů. Odeon, 1981.
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PINKAVA, Ivan. Dynastie,. Praha: ERM, 1993. ISBN 8090147739.
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PINKAVA, Ivan. Ivan Pinkava - Heroes. Praha: KANT, 2004. ISBN 8086217728.
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SUDEK, Josef. SUDEK, Josef. Torst, 2010. ISBN 9788072153855.
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WEIERMAIR, Peter. Americans, Masterpieces of American Photography 1940-2006, katalog výstavy. Kunstahalle Wien, 2006. ISBN 8889431687.
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