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Lecturer(s)
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Černohorský Jiří, Mgr. Ph.D.
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Course content
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1. - 2. Basic instructions and procedures for obtaining a negative suitable for copying 3. - 4. Mastering the cyanotype technique 5. - 6. Mastery of the sepia printing technique 7. - 8. Basic organic and inorganic chemistry 9. - 10. Mastery of colour rubber printing techniques 11. Repair and retouching of the above techniques 12. - 13. Restoration of photographs produced by the above techniques
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Learning activities and teaching methods
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- Home preparation for classes
- 24 hours per semester
- Participation in classes
- 26 hours per semester
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| prerequisite |
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| Knowledge |
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| Knowledge of basic processes during the work in a dark chamber. |
| Knowledge of basic processes during the work in a dark chamber. |
| learning outcomes |
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| can explain the chemical basis of photographic techniques |
| can explain the chemical basis of photographic techniques |
| can explain the preparation of a negative |
| can explain the preparation of a negative |
| can explain the principle of cyanotype |
| can explain the principle of cyanotype |
| can explain the principle of Bichromate gum process |
| can explain the principle of Bichromate gum process |
| explain how to identify cyanotype and gum printing techniques and suggest a method of conservation |
| explain how to identify cyanotype and gum printing techniques and suggest a method of conservation |
| Skills |
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| create a negative for historical photography techniques |
| create a negative for historical photography techniques |
| can prepare chemical solutions for historical photography techniques |
| can prepare chemical solutions for historical photography techniques |
| can process a photograph using the cyanotype technique |
| can process a photograph using the cyanotype technique |
| can process a photograph using the Bichromate gum process |
| can process a photograph using the Bichromate gum process |
| can identify the process of cyanotype and gum printing in historical photographs |
| can identify the process of cyanotype and gum printing in historical photographs |
| teaching methods |
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| Knowledge |
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| Demonstration |
| Demonstration |
| Lecturing |
| Lecturing |
| Simple experiments |
| Simple experiments |
| Individual work of students |
| Individual work of students |
| Skills |
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| Simple experiments |
| Simple experiments |
| Individual work of students |
| Individual work of students |
| assessment methods |
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| Knowledge |
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| Analysis of the student's performance |
| Analysis of the student's performance |
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Recommended literature
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EISMANOVÁ, Katrin. Photoshop - retušování a restaurování fotografie. Zoner Press, 2008. ISBN 978-80-86815-23-7.
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FARBER, Richard. Historic Photographic Processes: A Guide to Creating Handmade Photographic Images. Allworth Press, 1998. ISBN 9978-188059932.
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HENDRIKS, K. B. Fundamentals of Photographic Conservation: Study Guide, Part: Historical Photographic Processes. Lugus Production, 1991.
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JAMES, Christopher. The Book of Alternative Photographic Processes. Stamford: Cengage Learning, 2008. ISBN 1418073725.
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KENNEL, Sarah. In the Darkroom. London: Thames and Hudson, 2010. ISBN 978-0-500-28870-2.
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SCHEUFLER, Pavel. Historické fotografické techniky. Praha: IPOS, 1993. ISBN 80-901265-2-9.
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ZELINGER, J. Chemie v práci konzervátora a restaurátora. Praha, 1987.
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