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Lecturer(s)
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Sobek Evžen, Ing. MgA.
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Prokop Jaroslav, doc. MgA.
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Jindra Jan, doc. MgA.
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Course content
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1. Assignment of individual tasks 2. Presentation of the light park 3. Demonstration of previous solutions 4.-8. Consultation 9. Test prints and editorial selection 10. Final prints and enlargements of assignments 11. Correction of prints and enlargements 12.-13. Joint evaluation
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Learning activities and teaching methods
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Analysis of a work of art, Individual work of students
- Participation in classes
- 52 hours per semester
- Home preparation for classes
- 18 hours per semester
- Term paper
- 30 hours per semester
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| prerequisite |
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| Knowledge |
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| Proficient knowledge of processing classic black and white film material. Ability to select and communicate with models. Work with light. |
| Proficient knowledge of processing classic black and white film material. Ability to select and communicate with models. Work with light. |
| Choice and ability to communicate with the model. |
| Choice and ability to communicate with the model. |
| Controlling the lighting park in the photography studio. |
| Controlling the lighting park in the photography studio. |
| History of photography of the human model |
| History of photography of the human model |
| Knowledge of the history of food photography |
| Knowledge of the history of food photography |
| Skills |
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| knowledge of the light park control function in the studio |
| knowledge of the light park control function in the studio |
| ability to communicate and manipulate the model |
| ability to communicate and manipulate the model |
| The ability to prepare a portrait photograph |
| The ability to prepare a portrait photograph |
| the ability to prepare a studio for photographing a nude human model |
| the ability to prepare a studio for photographing a nude human model |
| learning outcomes |
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| Knowledge |
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| The student is able to manage lighting aspects of face and figure photography in a studio. The student is able to select and communicate with a model and is informed in the basics of dramaturgic building of a photo publication and its simple graphical adjustments. |
| The student is able to manage lighting aspects of face and figure photography in a studio. The student is able to select and communicate with a model and is informed in the basics of dramaturgic building of a photo publication and its simple graphical adjustments. |
| The student masters the basics of the dramaturgical construction of a photographic publication and simple graphic editing. |
| The student masters the basics of the dramaturgical construction of a photographic publication and simple graphic editing. |
| controls the photography of a simple food menu |
| controls the photography of a simple food menu |
| is more familiar with the history of portrait and nude photography |
| is more familiar with the history of portrait and nude photography |
| He is more familiar with the history of food photography |
| He is more familiar with the history of food photography |
| Skills |
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| He masters the photographic technique used to photograph the human model |
| He masters the photographic technique used to photograph the human model |
| He masters studio work in food photography |
| He masters studio work in food photography |
| Master the basics of food preparation and presentation for photography |
| Master the basics of food preparation and presentation for photography |
| He controls the work with the light park in the photography studio |
| He controls the work with the light park in the photography studio |
| it handles the analog black-and-white photographic process as well as digital capture and post-production of digital photography |
| it handles the analog black-and-white photographic process as well as digital capture and post-production of digital photography |
| teaching methods |
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| Knowledge |
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| Individual work of students |
| Individual work of students |
| Analysis of a work of art |
| Analysis of a work of art |
| assessment methods |
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| Analysis of a work of art |
| Analysis of a work of art |
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Recommended literature
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Freeman, Michael. Očima fotografa : kompozice pro lepší (digitální) fotografie. 1. vyd. Brno : Zoner Press, 2008. ISBN 978-80-7413-003-8.
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GIBSON, David. Manuál pouličního fotografa. Brno: Zoner Press, 2014. ISBN 9788074132995.
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JINDRA, Jan. Osmdesátky. Praha: Asociace fotografů, 2016. ISBN 9788090601963.
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JINDRA, Jan. Reklamní a produktová fotografie. Praha: Computer Press, 2011. ISBN 9788025131121.
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MARIEN, Mary Warner. Photography. A Cultural History. London: Laurence King Publishing, 2010. ISBN 9781856696661.
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POSPĚCH, Tomáš. Myslet fotografii. Česká fotografie 1938?2000. Praha: Positif, 2014. ISBN 978-80-87407-05-0.
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RITTER, Dorothea, SIEGER, Dietmar, PRIMUS, Zdenek (eds.). Život věcí. Idea zátiší ve fotografii 1840-1985. KANT - Karel Kerlický, 2006. ISBN 8086970035.
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