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Lecturer(s)
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Kožušková Lívia, Mgr. art. ArtD.
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Course content
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- Drawing based on a live model - Demonstration of human anatomy on a model and anatomic aids - Basics of anatomy - Laws or perspective viewing, free drawing, sheet A3, pencil - Drawing basic geometrical figures, free drawing, sheet A3, pencil - Methods of imaging textures of various materials, free drawing, sheet A3, pencil - Template drawing, sheet A3, pencil
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Learning activities and teaching methods
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Demonstration
- Participation in classes
- 28 hours per semester
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| prerequisite |
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| Knowledge |
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| Basic drawing skills. Work with drawing tools. |
| Basic drawing skills. Work with drawing tools. |
| learning outcomes |
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| The student is capable of drawing a live figure. |
| The student is capable of drawing a live figure. |
| develops knowledge from previous semesters in understanding and drawing the figure of a person, figure. |
| develops knowledge from previous semesters in understanding and drawing the figure of a person, figure. |
| in the process, student can define, describe and depict the complex figure of a person in space. |
| in the process, student can define, describe and depict the complex figure of a person in space. |
| student will understand the principles of perspective and spatial representation of an inanimate object, as well as a person. Their comparison. |
| student will understand the principles of perspective and spatial representation of an inanimate object, as well as a person. Their comparison. |
| learns the planes of representing the figure, can characterize them and later apply them in the drawing. |
| learns the planes of representing the figure, can characterize them and later apply them in the drawing. |
| is able to explain monocollinear, bicollinear and multicollinear perspective, imaging analysis, fish-eye perspective. |
| is able to explain monocollinear, bicollinear and multicollinear perspective, imaging analysis, fish-eye perspective. |
| Skills |
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| learn to characterize, analyze drawing and later use concepts in drawing: anatomy, space in the figure, light vs. shadow. |
| learn to characterize, analyze drawing and later use concepts in drawing: anatomy, space in the figure, light vs. shadow. |
| acquires and gradually moves from general to specific, from simple to complex. |
| acquires and gradually moves from general to specific, from simple to complex. |
| student learns to analyze simple shapes, he gradually moves to more demanding forms of depicting either an object or a person. Their comparison. |
| student learns to analyze simple shapes, he gradually moves to more demanding forms of depicting either an object or a person. Their comparison. |
| It is led to critical thinking, the ability to analyze vs. syntheses in figure drawing. |
| It is led to critical thinking, the ability to analyze vs. syntheses in figure drawing. |
| acquires the ability to display a complex human figure. |
| acquires the ability to display a complex human figure. |
| understand the difference between descriptiveness in drawing and stylization in drawing. |
| understand the difference between descriptiveness in drawing and stylization in drawing. |
| after completing the course, he is able to apply the knowledge acquired in the topic of the human figure into practice in design and drafting. |
| after completing the course, he is able to apply the knowledge acquired in the topic of the human figure into practice in design and drafting. |
| teaching methods |
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| Knowledge |
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| Demonstration |
| Demonstration |
| assessment methods |
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| Analysis of the student's performance |
| Analysis of the student's performance |
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Recommended literature
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Základy kresby. Praha : Svojtka a Co., 2005. ISBN 80-7352-244-6.
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Ballestar, V. B., Vigué, J. Skici. Čestice : Rebo, 2005. ISBN 80-7234-431-5.
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Ballester, V., B., Vigué, J. Kresba. Praha : Reba Production, 2005. ISBN 80-7234-411-0.
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Barber, Barrington. Základy portrétování : praktický a inspirativní kurz. 1. české vyd. Praha : Svojtka & Co., 2005. ISBN 80-7352-247-0.
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Barber, Barrington. Zátiší a objekty : základy kresby. Praha : Svojtka a Co., 2005. ISBN 80-7352-246-2.
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Constaanceová, Diana. Jak kreslit lidské tělo. Praha : Svojtka a Co., 2002. ISBN 80-7237-565-2.
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De Reyna, Rudy. Základy kresby a malby : jak kreslit a malovat co vidím okolo. 1. české vyd. Praha : Svojtka & Co, 2004. ISBN 8073520974.
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Flint, Tom, Stanyer, Peter. Anatomie pro výtvarníky. Praha : Svojtka a Co., 2005. ISBN 80-7352-243-8.
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Gair, A. Kapesní encyklopedie kreslení a malování. Praha : Svojtka a Co., 2002. ISBN 80-7237-592-X.
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Parramón, José M. Jak kreslit uhlem, tužkou a křídou. Praha : Jan Vašut, 2000. ISBN 80-7236-164-3.
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Teissig, Karel. Technika kresby. Praha : Artia, 1986.
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TURECKIOVÁ, M. Řízení a rozvoj lidí ve firmách. Praha: Grada, 2004.
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Zrzavý, J. Anatomie pro výtvarníky. Praha : Avicenum, 1977.
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Zrzavý J. Anatomie pro výtvarníky. Praha : Avicenum, 1977.
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