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Lecturer(s)
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Hruda Pavel, MgA.
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Janoutová Anna Marie, MgA.
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Course content
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- History of sound and sound parts in animated films - Audio-visual communications - Sound as a part of audio-visual expression in animation - Sound dramaturgy, direction and sound design - Editing structure in animation - sound part of editing structure, picture-sound relation - Sound categories
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Learning activities and teaching methods
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Monologic (Exposition, lecture, briefing), Exercises on PC, Practice exercises
- Participation in classes
- 14 hours per semester
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| prerequisite |
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| Knowledge |
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| High-school knowledge of general subjects and history of filmmaking. |
| High-school knowledge of general subjects and history of filmmaking. |
| learning outcomes |
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| The student has deeper knowledge of sound composition and sound dramaturgy, specific sound categories, division and methods of work with particular film genres in the area of animation and audio-vision. |
| The student has deeper knowledge of sound composition and sound dramaturgy, specific sound categories, division and methods of work with particular film genres in the area of animation and audio-vision. |
| teaching methods |
|---|
| Exercises on PC |
| Monologic (Exposition, lecture, briefing) |
| Practice exercises |
| Practice exercises |
| Monologic (Exposition, lecture, briefing) |
| Exercises on PC |
| assessment methods |
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| Analysis of creative works (Music, visual arts, literature) |
| Analysis of creative works (Music, visual arts, literature) |
| Analysis of the student's performance |
| Analysis of the student's performance |
| Grade (Using a grade system) |
| Grade (Using a grade system) |
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Recommended literature
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David Lewis Yewdall. The Practical Art of Motion Picture Sound. Focal Press, 2007. ISBN 0240808657.
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Elisabeth Weis (Editor), John Belton. Film Sound: Theory and Practice. Columbia University Press, 1985. ISBN 0231056370.
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Robin Beauchamp. Designing Sound for Animation. CRC Press, 2013. ISBN 0240824989.
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