Course: Social Sciences as a Projection Screen

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Course title Social Sciences as a Projection Screen
Course code KAAV/D1SVP
Organizational form of instruction Lecture
Level of course Doctoral
Year of study not specified
Semester Summer
Number of ECTS credits 0
Language of instruction Czech
Status of course unspecified
Form of instruction Face-to-face
Work placements This is not an internship
Recommended optional programme components None
Lecturer(s)
  • Gogola Jan, doc. Mgr. MgA.
Course content
Society as film and film as society. Thinking as a film-social hybrid. Basic themes: - Film as audiovisual essay - Social sciences as written images - The potential of the expression of Gilles Deleuze's pop-philosophy - The "high" and the "low" as categories that condition and interpenetrate each other - Finding context through alterity: anti-context as an opportunity to make the invisible visible - The economy of prestige: the circulation of cultural values - Object-oriented ontology, postmodernism, poststructuralism, rhizome, network thinking

Learning activities and teaching methods
Lecturing, Dialogic (Discussion, conversation, brainstorming)
prerequisite
Knowledge
Willingness and ability to think across social science and artistic disciplines with an emphasis on cinema.
Willingness and ability to think across social science and artistic disciplines with an emphasis on cinema.
learning outcomes
Pojímání kinematografie jako neoddělitelné součásti společenského a společenskovědního dění.
Pojímání kinematografie jako neoddělitelné součásti společenského a společenskovědního dění.
the medium is the message (Marshall McLuhan) the language of new media (Lev Manovich) the new film history (Thomas Elsaesser, Petr Szczepanik) media archaelogy (Friedrich A. Kittler, Jussi Parikka) object-oriented ontology (Timothy Morton, Lukáš Likavčan)
the medium is the message (Marshall McLuhan) the language of new media (Lev Manovich) the new film history (Thomas Elsaesser, Petr Szczepanik) media archaelogy (Friedrich A. Kittler, Jussi Parikka) object-oriented ontology (Timothy Morton, Lukáš Likavčan)
Skills
hibridisation of media consciousness of a computer screen non-linear histroy of cinematography how media become new imagination of non-human objects
hibridisation of media consciousness of a computer screen non-linear histroy of cinematography how media become new imagination of non-human objects
teaching methods
Knowledge
Dialogic (Discussion, conversation, brainstorming)
Dialogic (Discussion, conversation, brainstorming)
Lecturing
Lecturing
assessment methods
Conversation
Analysis of the student's performance
Conversation
Analysis of the student's performance
Recommended literature
  • DELEUZE, Gilles; GUATTARI, Felix. A Thousand Plateus.
  • ENGLISH, James F. The Economy of Prestige.
  • HAYDEN, White. The Question of Narrative Contemporary Historical Theory. History and Theory 1985/1.
  • KLINGER, Barbara. Film History Terminable and Interminable: Recovering the Past in Reception Studies, Screen 38, 1997/2.
  • MANOVICH, Lev. The Language of New Media. 2001.
  • MCLUHAN, Marshall. Understanding Media: The Extensions of Man.
  • TURNER, Victor. Frame, Flow adn Reflection: Ritual and Drama as Public Liminality, Japanese Journal of Religious Studies, 1979/4.


Study plans that include the course
Faculty Study plan (Version) Category of Branch/Specialization Recommended year of study Recommended semester