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Lecturer(s)
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Grečnár Ján, prof. Ing. ArtD.
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Course content
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Learning the basics of the work of a location sound recordist during the recording of contact sound (individual devices - practical tests) and of a sound editor on post-production equipment in DAW_AVID_PROTOOLS, following with work on the OSX system. Emphasis is placed on communication with the editor and the director in all parts of production. Students will use their knowledge mainly in the implementation of basic first-year exercises and individual field of study exercises, which focus on the basics of editing and using FX processing in a DAW. - basic knowledge of the DAW - AVID_PROTOOLS. - the basics of communication in a film crew - the preparation of the project and the communication with the editor
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Learning activities and teaching methods
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Exercises on PC, Practice exercises, Students working in pairs
- Participation in classes
- 120 hours per semester
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| prerequisite |
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| Knowledge |
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| The student has general knowledge in the field of information technology. |
| The student has general knowledge in the field of information technology. |
| learning outcomes |
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| The student will learn to communicate in the film crew - especially in relation to directing and editing. He is able to make a short film and exercises according to the assignment. |
| The student will learn to communicate in the film crew - especially in relation to directing and editing. He is able to make a short film and exercises according to the assignment. |
| teaching methods |
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| Exercises on PC |
| Practice exercises |
| Practice exercises |
| Students working in pairs |
| Students working in pairs |
| Exercises on PC |
| assessment methods |
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| Analysis of another type of paper written by the student (Casuistry, diary, plan ...) |
| Analysis of a work of art |
| Analysis of a work of art |
| Analysis of another type of paper written by the student (Casuistry, diary, plan ...) |
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Recommended literature
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BRIXEN, B. Eddy. Audio Metering - Measurements.. Standards and Practice, 2. vydání. UK: Focal Press, 2014. ISBN 978-0-240-81467-4.
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Eco, Umberto. Jak napsat diplomovou práci. Olomouc : Votobia, 1997. ISBN 8071981737.
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HUBER, M. David & RUNSTEIN E. Robert. Moder recording Techniques.. 9. vydání, NewYork: Routledge, 2018. ISBN 978-1-138-95437-3.
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MILES Dean. Location audio simplified: Capturing your audio..and your Audience.. UK: Focal Press, 2014. ISBN 978-1138018778.
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OWSINSKI Bobby. The mixing engineer´s handbook.. 4. vydání, USA: BobbyOwsinski Media Group, 2017. ISBN 978-0-9985033-4-9.
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VIERS Ric. The Location Sound Bible: How to Record Professional Dialog for Film and TV.. USA: Michael Wiese Productions, 2012. ISBN 978-1615931200.
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