Lecturer(s)
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Nemeškal Libor, doc. MgA. Ph.D.
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Hudec Zdeněk, doc. Ph.D.
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Ondruš Juraj, MgA. Ph.D.
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Course content
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Specific topics: - Methods of scientific work. - How to write a master's thesis and not go crazy. - Minimum from the history of editing theories. - With an editing composition to the n-th dimension. - Pedagogical minimum 2 (workshop preparation). - The theoretical part of the Master's Thesis.
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Learning activities and teaching methods
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Lecturing, Monologic (Exposition, lecture, briefing), Dialogic (Discussion, conversation, brainstorming), Exercises on PC
- Participation in classes
- 36 hours per semester
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prerequisite |
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Knowledge |
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Completion of existing professional subjects related to editing composition. |
Completion of existing professional subjects related to editing composition. |
learning outcomes |
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Describe the procedure for preparing a theoretical master's study |
Describe the procedure for preparing a theoretical master's study |
List the methods of scientific work |
List the methods of scientific work |
Characterize the relationship between the social sciences and audiovisual medium |
Characterize the relationship between the social sciences and audiovisual medium |
List the essential names and texts of world editing theories |
List the essential names and texts of world editing theories |
List the essential names and texts of Czech editing theories |
List the essential names and texts of Czech editing theories |
Define the specifics of editing in series and feature films |
Define the specifics of editing in series and feature films |
Skills |
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Analyze scholarly theoretical texts |
Analyze scholarly theoretical texts |
Design and prepare a master's theses |
Design and prepare a master's theses |
Write a scholarly theoretical text within the specified range |
Write a scholarly theoretical text within the specified range |
Present the starting points and results of master's research |
Present the starting points and results of master's research |
Prepare a professional editing workshop |
Prepare a professional editing workshop |
Organize screenings with feedback |
Organize screenings with feedback |
teaching methods |
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Knowledge |
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Lecturing |
Exercises on PC |
Monologic (Exposition, lecture, briefing) |
Monologic (Exposition, lecture, briefing) |
Dialogic (Discussion, conversation, brainstorming) |
Lecturing |
Dialogic (Discussion, conversation, brainstorming) |
Exercises on PC |
assessment methods |
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Written examination |
Analysis of the student's performance |
Analysis of the student's performance |
Written examination |
Analysis of a work of art |
Analysis of a presentation given by the student |
Analysis of a presentation given by the student |
Analysis of a work of art |
Recommended literature
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Bordwell, David a Kristin Thopson. Umění filmu: úvod do studia formy a stylu. Praha, 2011. ISBN 978-80-7331-217-6.
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Casetti, Francesco. Filmové teorie 1945-1990. 1. vyd. V Praze : Akademie múzických umění, 2008. ISBN 978-80-7331-143-8.
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ČIHÁK, Martin, Andran ABRAMJAN, Darja ČERNJAK, et al. Distanční montáž Artavazda Pelešjana. Akademie múzických umění . Praha, 2016. ISBN 978-80-7331-423-1.
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KOKEŠ, Radomír D. Rozbor filmu. Brno: Filozofická fakulta Masarykovy univerzity, 2015. ISBN 978-80-210-7756-.
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Nemeškal, Libor. Střihová analýza filmů české nové vlny: Tvorba režiséra Hynka Bočana.. Zlín, 2015.
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Petr Szczepanik (Ed.). Nová filmová historie. Praha, 2004. ISBN 80-239-4107-0.
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Petr Szczepanik. Stále kinema: antologie českého myšlení o filmu 1904-1950. Praha, 2008. ISBN 978-80-7004-136-9.
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VALUŠIAK, Josef. Střihovou skladbou k n-té dimenzi.. Akademie múzických umění. 2., opr. vyd. Praha, 2000.
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