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Lecturer(s)
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Course content
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The course unit in the form of consultations solves practical problems of realization of the graduate film in relation to the created concept of the pictorial part of the film. Together with the students, we look for the most suitable and feasible solutions. The consultation analyzes similar concepts and, on their example, leads the student to a wide-ranging controversy about pictorial representation. The student is, even more, looking for a relationship between a literary masterpiece and its transferability to the image. He/she analyzes the expression. The inter-media portability of expression is seriously addressed. Students are looking for the relationship between visual dramaturgy and the film genre. The relationship of intention - medium - the viewer is also analyzed.
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Learning activities and teaching methods
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Lecturing, Projection (static, dynamic), Training in motion and work skills, Practice exercises
- Participation in classes
- 36 hours per semester
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| prerequisite |
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| Knowledge |
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| The student has a broad knowledge of the current state of scanning and recording technology, image formats and is familiar with the ways of its use. They will gain theoretical knowledge and practical experience of working with a camera and practice practical composition. |
| The student has a broad knowledge of the current state of scanning and recording technology, image formats and is familiar with the ways of its use. They will gain theoretical knowledge and practical experience of working with a camera and practice practical composition. |
| learning outcomes |
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| The student is able to master the artistic, technical and organizational aspects of the preparation of audiovisual work in cooperation with other components of the production staff. |
| The student is able to master the artistic, technical and organizational aspects of the preparation of audiovisual work in cooperation with other components of the production staff. |
| teaching methods |
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| Projection (static, dynamic) |
| Lecturing |
| Lecturing |
| Projection (static, dynamic) |
| Training in motion and work skills |
| Practice exercises |
| Practice exercises |
| Training in motion and work skills |
| assessment methods |
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| Composite examination (Written part + oral part) |
| Composite examination (Written part + oral part) |
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Recommended literature
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Beyond the screenplay: a dialectical aproach to dramaturgy. Mcfarland, 2012. ISBN 0786466030.
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BOJANOVSKÝ, V. Základní principy osvětlování.
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Box H.: Set Lighting Technician's Handbook. Film Lighting Equipment, Practice, and Electrical Distribution. Routledge,, 2017. ISBN 1138426156.
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BROWN, B. Lighting. Focal Press. 2012. ISBN 978-0240807638.
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CLEWE, B. Film Production Management: How to Budget, Organize and Successfully Shoot your Film. Routledge, 2017. ISBN 0415788757.
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HONTHANER, B.W. The Complete Film Production Handbook. 2001. ISBN 0240804198.
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Hopkins O. Jak číst architekturu. Grada, 2019. ISBN 978-80-271-0373-7.
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MILLERSON, G. Lighting for TV and Film,Routledge. 2015. ISBN 978-1138130128.
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