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Lecturer(s)
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Nemeškal Libor, doc. MgA. Ph.D.
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Ondruš Juraj, MgA. Ph.D.
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Šenovský Otakar, BcA.
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Erla Josef, MgA.
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Course content
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Practical exercises: - Preparatory work for a Master's film. - Editing dramaturgy of long-length films. - TV series editing. - A practical exam from the subject.
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Learning activities and teaching methods
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Demonstration, Analysis of a presentation
- Participation in classes
- 120 hours per semester
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| prerequisite |
|---|
| Knowledge |
|---|
| Teamwork on joint projects with students of other professions. In case of insufficient quality of the expected joint project, the student performs the author's exercise. |
| Teamwork on joint projects with students of other professions. In case of insufficient quality of the expected joint project, the student performs the author's exercise. |
| learning outcomes |
|---|
| Characterize the specifics of editing in TV series and serials |
| Characterize the specifics of editing in TV series and serials |
| Characterize the specifics of editing in a feature-length scripted film |
| Characterize the specifics of editing in a feature-length scripted film |
| Describe the duties of an editor, assistant editor, script supervisor and DIT |
| Describe the duties of an editor, assistant editor, script supervisor and DIT |
| List procedures of editing a feature-length scripted film |
| List procedures of editing a feature-length scripted film |
| Characterize the differences in editing of different genres and formats |
| Characterize the differences in editing of different genres and formats |
| Skills |
|---|
| Edit a TV series |
| Edit a TV series |
| Collaborate in a group of editors |
| Collaborate in a group of editors |
| Collaborate on the creation of a master's project as a script supervisor or DIT |
| Collaborate on the creation of a master's project as a script supervisor or DIT |
| Collaborate on the creation of a master's project as an editing assistant |
| Collaborate on the creation of a master's project as an editing assistant |
| Apply theoretical knowledge to editing practice |
| Apply theoretical knowledge to editing practice |
| teaching methods |
|---|
| Knowledge |
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| Analysis of a presentation |
| Demonstration |
| Demonstration |
| Analysis of a presentation |
| assessment methods |
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| Analysis of the student's portfolio |
| Analysis of creative works (Music, visual arts, literature) |
| Analysis of creative works (Music, visual arts, literature) |
| Analysis of the student's portfolio |
| Workplace supervision |
| Analysis of a presentation given by the student |
| Analysis of a presentation given by the student |
| Workplace supervision |
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Recommended literature
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Studijní texty (Akademie múzických umění).. ISBN 80-858-8358-9.
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CASETTI, Francesco. Filmové teorie 1945-1990. Vybrané kapitoly.
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ČIHÁK, Martin, Andran ABRAMJAN, Darja ČERNJAK, et al. Distanční montáž Artavazda Pelešjana. Akademie múzických umění . Praha, 2016. ISBN 978-80-7331-423-1.
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Eco, Umberto. Jak napsat diplomovou práci. Olomouc : Votobia, 1997. ISBN 8071981737.
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VALUŠIAK, Josef. Střihovou skladbou k n-té dimenzi.. Akademie múzických umění. 2., opr. vyd. Praha, 2000.
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