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Lecturer(s)
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Bébarová Jana, Mgr. Ph.D.
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Course content
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In the seminar, students will get acquainted with the basic tendencies and key personalities of contemporary Asian and Latin American cinema.
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Learning activities and teaching methods
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Dialogic (Discussion, conversation, brainstorming)
- Participation in classes
- 24 hours per semester
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| prerequisite |
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| Knowledge |
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| Regular participation in consultations with the supervisor of the final master's thesis. Assumption of general level of theoretical and practical knowledge in the given field. Successful completion and completion of all levels of studio teaching in the master's degree program. |
| Regular participation in consultations with the supervisor of the final master's thesis. Assumption of general level of theoretical and practical knowledge in the given field. Successful completion and completion of all levels of studio teaching in the master's degree program. |
| learning outcomes |
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| Student can work with text. Student can define the components of film language. Student can characterize film style. Student can describe the specifics of film language and style of a given work. Student can think in contexts. |
| Student can work with text. Student can define the components of film language. Student can characterize film style. Student can describe the specifics of film language and style of a given work. Student can think in contexts. |
| Skills |
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| Student can write an essay. Student can create a presentation. Student can analyze film style and language. Student can distinguish the specifics of film style of different works. Student can compare the film style of different works. |
| Student can write an essay. Student can create a presentation. Student can analyze film style and language. Student can distinguish the specifics of film style of different works. Student can compare the film style of different works. |
| teaching methods |
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| Knowledge |
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| Dialogic (Discussion, conversation, brainstorming) |
| Dialogic (Discussion, conversation, brainstorming) |
| assessment methods |
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| Conversation |
| Conversation |
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Recommended literature
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rejze.cz, Cinema Scope, Sight and Sound, Cinepur, A2, 25fps, FantomFilm, Film a doba.
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BORDWELL, David; THOMPSON, Kristin. Dějiny filmu.. AMU/Lid. Noviny. Praha, 2007.
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Davis, Emilie William; Yueh-yu Yeh, Darrell. East Asian Screen Industries. Londýn : BFI, 2008.
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HART, Stephen M. A. Companion to Latin American Film.. Tamesis. Woodbridge, 2004.
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CHAUDHURI, Shohini. Contemporary World Cinema: Europe, the Middle East, East Asia and South Asia.. Edinburgh University Press. Edinburgh, 2005.
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Langerová, Viera. Filmový zemepis. Kontinentálna Čína, HongKong, Tchajwan. Bratislava, 2009.
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MES, Tom; SHARP, Jasper. The Midnight Eye Guide to New Japanese Film.. Stone Bridge Press. Berkeley, 2004.
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ROSENBAUM, Jonathan; Saeed-Vafa, Mehrnaz. Abbas Kiarostami (Contemporary Film Directors).. University of Illinois Press. Chicago, 2003.
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TAPPER, Richard. The New Iranian Cinema: Politics, Representation and Identity.. I. B. Tauris. London, 2002.
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TEO, Stephen. Chinese Martial Arts Cinema: The Wuxia Tradition.. Edinburgh University Press. Edinburgh, 2009.
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Vick, Tom. Asian Cinema: A Field Guide. New York : Harper Perennial, 2008.
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