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Lecturer(s)
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Gogola Jan, prof. doc. Mgr.MgA
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Hubáček Tomáš, MgA.
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Course content
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The starting point will be the following manual, within the decision whether to choose a genre or rather a non-derived style for a given film, organically resulting from the spirit of the intended work. It will be about the ability to create in the line of tradition and the spirit of otherness: -what, as a topic -how, as a form -structure, as narration -why, as in a justification for the origin of the film, in the international social and media context, and as an author's personal motivation for the origin of the film -who, as movie characters -where, as movie locations -when, as movie time -concretization, as film content
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Learning activities and teaching methods
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Monologic (Exposition, lecture, briefing), Projection (static, dynamic)
- Participation in classes
- 130 hours per semester
- Preparation for examination
- 20 hours per semester
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| prerequisite |
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| Knowledge |
|---|
| Prerequisites not specified |
| Prerequisites not specified |
| Skills |
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| Prerequisites not specified |
| Prerequisites not specified |
| learning outcomes |
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| Knowledge |
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| The student is able to explain: |
| The student is able to explain: |
| - theory as social phenomenon |
| - theory as social phenomenon |
| - methodology of theory |
| - methodology of theory |
| - types of film montage |
| - types of film montage |
| - types of sound post-production |
| - types of sound post-production |
| - context of professional audiovisual practice |
| - context of professional audiovisual practice |
| Skills |
|---|
| The student is able to solve: |
| The student is able to solve: |
| - thesis as social phenomenon |
| - thesis as social phenomenon |
| - application of theoretic methods |
| - application of theoretic methods |
| - film montage |
| - film montage |
| - sound post-production |
| - sound post-production |
| - interaction with professional audiovisual context |
| - interaction with professional audiovisual context |
| teaching methods |
|---|
| Knowledge |
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| Projection (static, dynamic) |
| Projection (static, dynamic) |
| Monologic (Exposition, lecture, briefing) |
| Monologic (Exposition, lecture, briefing) |
| assessment methods |
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| Analysis of creative works (Music, visual arts, literature) |
| Analysis of creative works (Music, visual arts, literature) |
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Recommended literature
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Hotové i rozpracované verze profesionálních filmů..
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Borstin, Jon. Tajemství filmové řeči. Universum. ISBN 978-80-7617-619-5.
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Bresson, R. Poznámky o kinematografu. Praha : Dauphin, 1998. ISBN 80-86019-68-3.
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Buňuel, L. Do posledního dechu. ISBN 80-903455-0-6.
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Eco, Umberto. Jak napsat diplomovou práci. Olomouc : Votobia, 1997. ISBN 8071981737.
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EJZENŠTEJN, Sergej. Paměti. Odeon. ISBN 01-010-88.
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Epstein, J. Poetika obrazů. Praha : Herman a synové, 1997. ISBN 80-238-1138-X.
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Fellini, F. Dělat film. ISBN 401-22-856.
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Fleischer, Jan. To by mohl být film. ISBN 978-80-7331-156-8.
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Godard, J. L. Príběh(y) filmu. ISBN 80-903678-2-8.
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Godard, Jean-Luc. Texty a rozhovory. Jihlava, JSAF, 2005. ISBN 80-903513-6-0.
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Juráček, P. Deník (1959 - 1974). ISBN 59-044-03.
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K. P. Liessmann. Teorie nevzdělanosti. Academia Praha, 2008. ISBN 978-80-200-1677-5.
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Truffaut, F. Rozhovory Hitchcock Truffaut, ČSFÚ, Praha. 1987.
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