Course: Dramaturgy seminar 2

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Course title Dramaturgy seminar 2
Course code KAAV/AV9DR
Organizational form of instruction Seminary
Level of course Master
Year of study not specified
Semester Winter
Number of ECTS credits 2
Language of instruction Czech
Status of course unspecified
Form of instruction Face-to-face
Work placements This is not an internship
Recommended optional programme components None
Lecturer(s)
  • Nemeškal Libor, doc. MgA. Ph.D., Ed.D.
  • Hubáček Tomáš, MgA.
Course content
- A triangle of movie stories. - The structure of the drama. - Construction of space. - Characteristics of the hero. - Characteristics of the story. - The myth of the hero. - Double dying. - Negation negation, - Beat. - Gradation.

Learning activities and teaching methods
Lecturing, Monologic (Exposition, lecture, briefing), Dialogic (Discussion, conversation, brainstorming), Analysis of a presentation, Analysis of a work of art, Individual work of students
  • Preparation for course credit - 12 hours per semester
  • Home preparation for classes - 25 hours per semester
  • Participation in classes - 13 hours per semester
prerequisite
Knowledge
Prerequisites not specified
Prerequisites not specified
Skills
Prerequisites not specified
Prerequisites not specified
learning outcomes
Knowledge
Creativity, communicativeness, diligence, realization of homework.
Creativity, communicativeness, diligence, realization of homework.
define the theory of beats and their use in film narration
define the theory of beats and their use in film narration
convey the theory of negation of negation
convey the theory of negation of negation
explain the principles of the double dying of the hero
explain the principles of the double dying of the hero
analyze the characterization of the hero
analyze the characterization of the hero
explain the principles of context
explain the principles of context
Skills
identification of philosophy in a film work
identification of philosophy in a film work
the author's ability to manipulate the emotional response of the moviegoer
the author's ability to manipulate the emotional response of the moviegoer
ambiguity of storytelling
ambiguity of storytelling
the ability to achieve extreme emotion, first scripturally and dramaturgically, and then in the acting of a film work
the ability to achieve extreme emotion, first scripturally and dramaturgically, and then in the acting of a film work
the ability to look at the film hero through his philosophical contradictions and the ambiguity of his actions
the ability to look at the film hero through his philosophical contradictions and the ambiguity of his actions
teaching methods
Knowledge
Monologic (Exposition, lecture, briefing)
Monologic (Exposition, lecture, briefing)
Lecturing
Lecturing
Analysis of a presentation
Analysis of a presentation
Individual work of students
Individual work of students
Analysis of a work of art
Dialogic (Discussion, conversation, brainstorming)
Dialogic (Discussion, conversation, brainstorming)
Analysis of a work of art
assessment methods
Analysis of a presentation given by the student
Analysis of a presentation given by the student
Preparation of a presentation, giving a presentation
Preparation of a presentation, giving a presentation
Analysis of a work of art
Analysis of a work of art
Written examination
Analysis of seminar paper
Analysis of creative works (Music, visual arts, literature)
Analysis of creative works (Music, visual arts, literature)
Analysis of the student's performance
Analysis of the student's performance
Written examination
Analysis of seminar paper
Recommended literature
  • Field, Syd. Jak napsat dobrý scénář. Praha, Rybka Publishers, 2007. ISBN 80-87067-65-7.
  • McKee Robert. Story.
  • MONACO, James. Jak číst film. Albatros, Praha, 2004. ISBN 978-80-00-01410-4.
  • NOVOTNÝ, Ján David. Chcete psát scenář. Ediční centrum AMU Praha, 2000. ISBN 80-85883-52-X.
  • Plazewski, Jerzy. Filmová řeč. Praha : Orbis, 1967.
  • THOMPSONOVÁ, Kristin, BORDWELL, David. Dějiny filmu. Praha, 2007. ISBN 978-80-7331-80-2.
  • WALTER, Richard. Screenwriting, The Art, Craft and Business of Film and Television Writing.. Plume, Penguin Group. New York, 1988.


Study plans that include the course
Faculty Study plan (Version) Category of Branch/Specialization Recommended year of study Recommended semester