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Lecturer(s)
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Grečnár Ján, prof. Ing. ArtD.
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Course content
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Learning the basics of the work of a location sound recordist during the recording of contact sound (individual devices - practical tests) and of a sound editor on post-production equipment in DAW_AVID_PROTOOLS, following with work on the OSX system. Emphasis is placed on communication with the editor and the director in all parts of production. Students will use their knowledge mainly in the implementation of basic first-year exercises and individual field of study exercises, which focus on the basics of editing and using FX processing in a DAW. - the basics of communication and work of a location sound recordist while recording contact sound (individual devices - practical tests) - MAC (OSX) platform vs. Windows - basic knowledge of the DAW - AVID_PROTOOLS.
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Learning activities and teaching methods
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Exercises on PC, Practice exercises, Students working in pairs
- Preparation for examination
- 20 hours per semester
- Participation in classes
- 130 hours per semester
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| prerequisite |
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| Knowledge |
|---|
| Prerequisites not specified |
| Prerequisites not specified |
| Skills |
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| Prerequisites not specified |
| Prerequisites not specified |
| learning outcomes |
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| Knowledge |
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| - describe the basics of communication and the work of a sound engineer when recording contact sound |
| - describe the basics of communication and the work of a sound engineer when recording contact sound |
| - explain the work on post-production equipment in DAW_AVID_PROTOOLS |
| - explain the work on post-production equipment in DAW_AVID_PROTOOLS |
| - characterize the work on the OSX system with an emphasis on communication with the editing department and director in all parts of production |
| - characterize the work on the OSX system with an emphasis on communication with the editing department and director in all parts of production |
| - define the MAC (OSX) platform vs. Windows |
| - define the MAC (OSX) platform vs. Windows |
| Skills |
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| - Apply knowledge in the implementation of basic first-year exercises and individual subject assignments that focus on the basics of editing and using FX processing in DAW |
| - Apply knowledge in the implementation of basic first-year exercises and individual subject assignments that focus on the basics of editing and using FX processing in DAW |
| - implement the basics of communication and the work of a sound engineer when recording contact sound (individual devices - practical tests) |
| - implement the basics of communication and the work of a sound engineer when recording contact sound (individual devices - practical tests) |
| - apply MAC (OSX) vs. Windows platform tools |
| - apply MAC (OSX) vs. Windows platform tools |
| - analyze options and correctly select adequate DAW tools - AVID_PROTOOLS |
| - analyze options and correctly select adequate DAW tools - AVID_PROTOOLS |
| teaching methods |
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| Knowledge |
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| Exercises on PC |
| Students working in pairs |
| Practice exercises |
| Practice exercises |
| Students working in pairs |
| Exercises on PC |
| assessment methods |
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| Analysis of another type of paper written by the student (Casuistry, diary, plan ...) |
| Analysis of another type of paper written by the student (Casuistry, diary, plan ...) |
| Analysis of a work of art |
| Analysis of a work of art |
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Recommended literature
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BRIXEN, B. Eddy. Audio Metering - Measurements.. Standards and Practice, 2. vydání. UK: Focal Press, 2014. ISBN 978-0-240-81467-4.
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HUBER, M. David & RUNSTEIN E. Robert. Moder recording Techniques.. 9. vydání, NewYork: Routledge, 2018. ISBN 978-1-138-95437-3.
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MILES Dean. Location audio simplified: Capturing your audio..and your Audience.. UK: Focal Press, 2014. ISBN 978-1138018778.
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OWSINSKI Bobby. The mixing engineer´s handbook.. 4. vydání, USA: BobbyOwsinski Media Group, 2017. ISBN 978-0-9985033-4-9.
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VIERS Ric. The Location Sound Bible: How to Record Professional Dialog for Film and TV.. USA: Michael Wiese Productions, 2012. ISBN 978-1615931200.
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