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Lecturer(s)
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Grečnár Ján, prof. Ing. ArtD.
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Course content
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Learning the basics of the work of a location sound recordist during the recording of contact sound (individual devices - practical tests) and of a sound editor on post-production equipment in DAW_AVID_PROTOOLS, following with work on the OSX system. Emphasis is placed on communication with the editor and the director in all parts of production. Students will use their knowledge mainly in the implementation of basic first-year exercises and individual field of study exercises, which focus on the basics of editing and using FX processing in a DAW. - the basics of communication and work of a location sound recordist while recording contact sound (individual devices - practical tests) - MAC (OSX) platform vs. Windows - basic knowledge of the DAW - AVID_PROTOOLS.
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Learning activities and teaching methods
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Exercises on PC, Practice exercises, Students working in pairs
- Participation in classes
- 130 hours per semester
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| prerequisite |
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| Knowledge |
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| The student has general knowledge in the field of information technology. |
| The student has general knowledge in the field of information technology. |
| learning outcomes |
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| The student will learn to communicate in the film crew - especially in relation to directing and editing. He is able to make a short film and exercises according to the assignment. |
| The student will learn to communicate in the film crew - especially in relation to directing and editing. He is able to make a short film and exercises according to the assignment. |
| Learning the basics of the sound master's work in recording contact sound (individual devices - practical tests) and on post-production equipment in DAW_AVID_PROTOOLS. Then work on OSX system. Emphasis is placed on communication with the editing department and the director in all parts of the production. Knowledge will be used primarily in the completion of first-year and individual industry exercises that focus on the basics of editing and the use of FX processing in DAWs. - basics of communication and the work of a sound master in contact sound recording (individual equipment - practical tests) - MAC platform (OSX) vs. Windows - basic knowledge of DAW - AVID_PROTOOLS. |
| Learning the basics of the sound master's work in recording contact sound (individual devices - practical tests) and on post-production equipment in DAW_AVID_PROTOOLS. Then work on OSX system. Emphasis is placed on communication with the editing department and the director in all parts of the production. Knowledge will be used primarily in the completion of first-year and individual industry exercises that focus on the basics of editing and the use of FX processing in DAWs. - basics of communication and the work of a sound master in contact sound recording (individual equipment - practical tests) - MAC platform (OSX) vs. Windows - basic knowledge of DAW - AVID_PROTOOLS. |
| Skills |
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| Application of knowledge in the implementation of basic exercises of the first year and individual assignments that focus on the basics of editing and the use of FX processing in DAWs. - basics of communication and the work of a sound master in contact sound recording (individual equipment - practical tests) - MAC platform (OSX) vs. Windows - ability to analyze options and correctly select andadequate DAW tools - AVID_PROTOOLS. |
| Application of knowledge in the implementation of basic exercises of the first year and individual assignments that focus on the basics of editing and the use of FX processing in DAWs. - basics of communication and the work of a sound master in contact sound recording (individual equipment - practical tests) - MAC platform (OSX) vs. Windows - ability to analyze options and correctly select andadequate DAW tools - AVID_PROTOOLS. |
| teaching methods |
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| Knowledge |
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| Students working in pairs |
| Exercises on PC |
| Practice exercises |
| Practice exercises |
| Exercises on PC |
| Students working in pairs |
| assessment methods |
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| Analysis of a work of art |
| Analysis of another type of paper written by the student (Casuistry, diary, plan ...) |
| Analysis of a work of art |
| Analysis of another type of paper written by the student (Casuistry, diary, plan ...) |
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Recommended literature
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BRIXEN, B. Eddy. Audio Metering - Measurements.. Standards and Practice, 2. vydání. UK: Focal Press, 2014. ISBN 978-0-240-81467-4.
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HUBER, M. David & RUNSTEIN E. Robert. Moder recording Techniques.. 9. vydání, NewYork: Routledge, 2018. ISBN 978-1-138-95437-3.
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MILES Dean. Location audio simplified: Capturing your audio..and your Audience.. UK: Focal Press, 2014. ISBN 978-1138018778.
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OWSINSKI Bobby. The mixing engineer´s handbook.. 4. vydání, USA: BobbyOwsinski Media Group, 2017. ISBN 978-0-9985033-4-9.
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VIERS Ric. The Location Sound Bible: How to Record Professional Dialog for Film and TV.. USA: Michael Wiese Productions, 2012. ISBN 978-1615931200.
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