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Lecturer(s)
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Grečnár Ján, prof. Ing. ArtD.
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Course content
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Course content: - Processing of spoken word, the sound component, the technical realization of artistic intention - Frequency and dynamic adjustments - The relationship of the noise and music component of an AV work to the spoken word component. - Audio processing options - Sound spatiality, the picture - sound relationship - Effect and spatial adjustments of sound modulation, special effects - Current audio post-production technologies - The resulting sound mix - the creativity of a sound master
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Learning activities and teaching methods
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Monologic (Exposition, lecture, briefing), Demonstration, Projection (static, dynamic)
- Participation in classes
- 26 hours per semester
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| prerequisite |
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| Knowledge |
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| Getting acquainted with the attributes of sound, with its physical and technical parameters and expressive characteristics, the possibilities of its modeling, composition, and stylization. Gaining knowledge about the possibilities of the latest technologies and trends in their development, as well as knowledge of the history of film aesthetics and related arts. |
| Getting acquainted with the attributes of sound, with its physical and technical parameters and expressive characteristics, the possibilities of its modeling, composition, and stylization. Gaining knowledge about the possibilities of the latest technologies and trends in their development, as well as knowledge of the history of film aesthetics and related arts. |
| learning outcomes |
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| Gaining craft habits while controlling the sound technology. Artistic creative thinking is developed while the students are brought up to form creative partnerships with the staff of film or television. |
| Gaining craft habits while controlling the sound technology. Artistic creative thinking is developed while the students are brought up to form creative partnerships with the staff of film or television. |
| teaching methods |
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| Demonstration |
| Demonstration |
| Monologic (Exposition, lecture, briefing) |
| Monologic (Exposition, lecture, briefing) |
| Projection (static, dynamic) |
| Projection (static, dynamic) |
| assessment methods |
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| Analysis of the student's performance |
| Oral examination |
| Oral examination |
| Analysis of the student's performance |
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Recommended literature
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BARLET, Bruce. BARLETT, JennY. On-Location Recording Techniques.. Focal Press. 1999. ISBN 0-240-80379-5.
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COLLINS, Mike. Pro Tools for Music Production. Focal Press. 2002. ISBN 0-240-51640-0.
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HOLMAN, Tomlinson. Sound for Film and Television.. Focal Press. 2002. ISBN 0-240-80453-8.
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MILLERSON, Gerald. Television Production.. Focal Press. 2007. ISBN 0-240-51492-0.
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RAYBURN, Ray A. Eargle´s Microphone Book.. Focal Press. 2013. ISBN 978-0-240-82075.
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YEWDALL, David Lewis. Practical Art of Motio Picture Sound.. Focal Press, 2003. ISBN 0-240-80525-9.
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