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Lecturer(s)
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Course content
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Basic areas: - Kinenmatography Fund and support for the film industry - production dramaturgy - legal and financial aspects of co-production - media management - film marketing
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Learning activities and teaching methods
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Dialogic (Discussion, conversation, brainstorming), Methods for written tasks (e.g. comprehensive exams, written tests)
- Participation in classes
- 26 hours per semester
- Home preparation for classes
- 24 hours per semester
- Preparation for examination
- 25 hours per semester
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| prerequisite |
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| Knowledge |
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| Prerequisites not specified |
| Prerequisites not specified |
| Skills |
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| Prerequisites not specified |
| Prerequisites not specified |
| learning outcomes |
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| Knowledge |
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| - Explain the project workflow in the pre-, post-, and production phases, including the necessary practical tasks and administration |
| - Explain the project workflow in the pre-, post-, and production phases, including the necessary practical tasks and administration |
| - Define the role of VFX supervision |
| - Define the role of VFX supervision |
| - Define the prerequisites for believability of stunt shots |
| - Define the prerequisites for believability of stunt shots |
| - Define the nature of virtual production |
| - Define the nature of virtual production |
| - Describe the use of 3D generated landscapes in VFX shots |
| - Describe the use of 3D generated landscapes in VFX shots |
| - Describe the organization of a stunt studio |
| - Describe the organization of a stunt studio |
| Skills |
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| Student can: - Execute a stunt project as a VFX supervisor |
| Student can: - Execute a stunt project as a VFX supervisor |
| - Create documents for timeline and budget of VFX work |
| - Create documents for timeline and budget of VFX work |
| - Justify the possible realization of shots using virtual production |
| - Justify the possible realization of shots using virtual production |
| - Utilize reference objects when shooting background for VFX |
| - Utilize reference objects when shooting background for VFX |
| - Create a promotional showreel for a specific VFX project |
| - Create a promotional showreel for a specific VFX project |
| teaching methods |
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| Knowledge |
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| Dialogic (Discussion, conversation, brainstorming) |
| Dialogic (Discussion, conversation, brainstorming) |
| Methods for written tasks (e.g. comprehensive exams, written tests) |
| Methods for written tasks (e.g. comprehensive exams, written tests) |
| assessment methods |
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| Conversation |
| Conversation |
| Analysis of the student's performance |
| Analysis of the student's performance |
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Recommended literature
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U?mluva Rady Evropy o filmove? koprodukci (revidovane? zne?ni?) - Convention on Cinematographic Co-Production. [Rotterdam, 30. 1. 2017].
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Zákon č. 121/2000 Sb., o právu autorském, o právech souvisejících s právem autorským a o změně některých zákonů (autorský zákon).
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Aristotelés. Poetika : řecko-česky. 1. vyd. Praha : OIKOYMENH, 2008. ISBN 978-80-7298-131-1.
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Aronsonová, Linda. Scénář pro 21. století. Praha, 2014. ISBN 978-80-7331-314-2.
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DAVID Ivan. Filmové právo: Autorskoprávní perspektiva.. Praha, 2015. ISBN 978-80-906089-0-0.
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Kerrigan. Film Marketing. New York, 2017. ISBN 978-1-138-01335-3.
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NEUMANN D. The Fine Art of Co-producing. Madrid, 2002. ISBN 84-88773-08-0.
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