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Lecturer(s)
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Nemeškal Libor, doc. MgA. Ph.D.
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Course content
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Specific topics: - The history of international editing (1898-present). - The history of Czech editing. - Editing in animated films. - Editing in VFX films. - VFX editor. - Diploma thesis - topic, questions, methods. - Pedagogical minimum 1 - the preparation of a seminar.
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Learning activities and teaching methods
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Lecturing, Monologic (Exposition, lecture, briefing), Dialogic (Discussion, conversation, brainstorming), Analysis of a work of art
- Participation in classes
- 26 hours per semester
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| prerequisite |
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| Knowledge |
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| Completion of existing professional subjects related to editing composition. |
| Completion of existing professional subjects related to editing composition. |
| learning outcomes |
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| Define the specifics of editing in an animated film |
| Define the specifics of editing in an animated film |
| Define the specifics of an editing in a vfx films |
| Define the specifics of an editing in a vfx films |
| Describe the work of a VFX editor |
| Describe the work of a VFX editor |
| List the key moments, technologies, works and personalities of international and Czech film editing |
| List the key moments, technologies, works and personalities of international and Czech film editing |
| Describe the editor's work with film material |
| Describe the editor's work with film material |
| Skills |
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| Design and prepare a paper for the symposium |
| Design and prepare a paper for the symposium |
| Apply knowledge from pedagogy in art disciplines into practice |
| Apply knowledge from pedagogy in art disciplines into practice |
| Analyze animated works |
| Analyze animated works |
| Analyze vfx films and sequences |
| Analyze vfx films and sequences |
| Differentiate the editor's work in different technologies (film, video, digital) |
| Differentiate the editor's work in different technologies (film, video, digital) |
| teaching methods |
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| Knowledge |
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| Dialogic (Discussion, conversation, brainstorming) |
| Dialogic (Discussion, conversation, brainstorming) |
| Analysis of a work of art |
| Analysis of a work of art |
| Lecturing |
| Lecturing |
| Monologic (Exposition, lecture, briefing) |
| Monologic (Exposition, lecture, briefing) |
| assessment methods |
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| Analysis of a presentation given by the student |
| Analysis of the student's performance |
| Analysis of the student's performance |
| Written examination |
| Analysis of a work of art |
| Analysis of a work of art |
| Analysis of a presentation given by the student |
| Written examination |
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Recommended literature
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BEGLEITER, Marcie. From Word to Image. CA: Michael Wiese Productions. 2010. ISBN 978-1-932907-67-4.
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CRITTENDEN, Roger. Fine Cuts: The Art of European Film Editing. Oxford OX2 8DP : Focal Press, 2006. ISBN 978 0 240 51684 4.
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DANCYGER, Ken. The technique of film and video editing: history, theory, and practice. Vybrané kapitoly..
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GINNIS, Paul. Efektivní výukové nástroje pro učitele: strategie pro zvýšení úspěšnosti každého žáka.. Universum (Euromedia Group). Praha, 2019. ISBN 9788076175822.
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HART, John. The Art of the Storyboard. Vybrané kapitoly.. MA: Focal Press. 2008. ISBN 978-0-240-80960-1.
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Justin Chang. Editing. Lewes, 2012. ISBN 19-075-7956-7.
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PLAŽEWSKI, Jerzy. Historický vývoj střihové skladby. Filmová řeč.. Orbis. Praha, 1967.
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REISZ, Karel a Gavin MILLAR. The technique of film editing. Vybrané kapitoly. 2nd ed., reissued..
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