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Lecturer(s)
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Gogola Jan, doc. Mgr. MgA.
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Course content
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The seminar also contains collective and individual consultations, students react to the materials of others. In the summer semester, the emphasis will be on the analysis of the raw material and the individual versions of the editing of student films in the given year (multi-camera shooting and documentary films), and the analysis of professional films that are finished or in the process of being completed. It will be a demonstration of how different concepts of montage and editing can change the form and the resulting meaning of a film. Attention will also be paid to other components of post-production (music, audio tracks, mix, tricks, visual effects, graphics, posters). The end of the semester will also be devoted to consultations on the Master's Film and Master's Theoretical Work and to the tasks of the students for the second year of their Master's Studies.
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Learning activities and teaching methods
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Dialogic (Discussion, conversation, brainstorming), Activating (Simulation, games, dramatization), Teamwork, Analysis of a presentation, Analysis of a work of art, Individual work of students
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| prerequisite |
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| Knowledge |
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| The ability and willingness of students to use in the course of work on film both established cinematic means and possibly methods analogous to the procedures staged, literary, performative, artistic and others. |
| The ability and willingness of students to use in the course of work on film both established cinematic means and possibly methods analogous to the procedures staged, literary, performative, artistic and others. |
| learning outcomes |
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| Familiarization of the student with traditional and special procedures in a multi-camera exercise and document in a broader methodological and intellectual context. |
| Familiarization of the student with traditional and special procedures in a multi-camera exercise and document in a broader methodological and intellectual context. |
| -genres of fiction film -anti-genres of fiction film -genres of documentary -anti-genres of documentary -film as sociology |
| -genres of fiction film -anti-genres of fiction film -genres of documentary -anti-genres of documentary -film as sociology |
| Skills |
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| -point of view, synopses, script of fiction genres -point of view, synopses, script of fiction anti-genres point of view, synopses, script of documentary genres point of view, synopses, script of documentary anti-genres point of view, synopses, script in a social contexts |
| -point of view, synopses, script of fiction genres -point of view, synopses, script of fiction anti-genres point of view, synopses, script of documentary genres point of view, synopses, script of documentary anti-genres point of view, synopses, script in a social contexts |
| teaching methods |
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| Knowledge |
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| Analysis of a work of art |
| Analysis of a work of art |
| Individual work of students |
| Teamwork |
| Teamwork |
| Analysis of a presentation |
| Analysis of a presentation |
| Dialogic (Discussion, conversation, brainstorming) |
| Dialogic (Discussion, conversation, brainstorming) |
| Individual work of students |
| Activating (Simulation, games, dramatization) |
| Activating (Simulation, games, dramatization) |
| assessment methods |
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| Conversation |
| Analysis of the student's performance |
| Conversation |
| Analysis of the student's performance |
| Analysis of seminar paper |
| Analysis of seminar paper |
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Recommended literature
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Hotové i rozpracované verze profesionálních filmů..
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Antonioni, M. Kuželník u Tiberu. ISBN 605-22-855.
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Bergman, I. Laterna Magica. ISBN 01-110-91.
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Bessy, M. Orson Welles. Orbis.
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Borstin, Jon. Tajemství filmové řeči. Universum. ISBN 978-80-7617-619-5.
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Bresson, R. Poznámky o kinematografu. Praha : Dauphin, 1998. ISBN 80-86019-68-3.
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Buňuel, L. Do posledního dechu. ISBN 80-903455-0-6.
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Eco, Umberto. Jak napsat diplomovou práci. Olomouc : Votobia, 1997. ISBN 8071981737.
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EJZENŠTEJN, Sergej. Paměti. Odeon. ISBN 01-010-88.
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Epstein, Jean. Poetika obrazů. Herrmann a synové - Praha.
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Fellini, F. Dělat film. ISBN 401-22-856.
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Fleischer, Jan. To by mohl být film. ISBN 978-80-7331-156-8.
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Godard, J. L. Príběh(y) filmu. ISBN 80-903678-2-8.
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Godard, Jean-Luc. Texty a rozhovory. Jihlava, JSAF, 2005. ISBN 80-903513-6-0.
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Juráček, P. Deník (1959 - 1974). ISBN 59-044-03.
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K. P. Liessmann. Teorie nevzdělanosti. Academia Praha, 2008. ISBN 978-80-200-1677-5.
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Truffaut, F. Rozhovory. Praha : ČSFÚ, 1987.
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