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Lecturer(s)
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Course content
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The subject, in the form of consultations, solves the practical problems of the realization of final or graduate films concerning the concept of the visual part of the film. It is closely linked with the practical implementation of the film script. We analyze the possibilities and variations of a particular film scene to find an optimal compromise in the relation budget-intent-image concept-realization-output.
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Learning activities and teaching methods
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Teamwork
- Preparation for examination
- 20 hours per semester
- Participation in classes
- 130 hours per semester
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| prerequisite |
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| Knowledge |
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| Prerequisites not specified |
| Prerequisites not specified |
| Skills |
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| Prerequisites not specified |
| Prerequisites not specified |
| learning outcomes |
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| Knowledge |
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| The student assists in a professional camera film crew of a fiction film. |
| The student understands the expression and orients himself in the work. |
| The student understands the expression and orients himself in the work. |
| The student assists in a professional camera film crew of a fiction film. |
| - defines harmonies and discords of colours |
| - defines harmonies and discords of colours |
| - explains the problem of colour as a means of expression |
| - explains the problem of colour as a means of expression |
| - describe the creation of a scene in relation to colour depth |
| - describe the creation of a scene in relation to colour depth |
| - define what is a mask, air perspective, or primary and secondary correction |
| - define what is a mask, air perspective, or primary and secondary correction |
| - explain the basics of image post-production and film trickery |
| - explain the basics of image post-production and film trickery |
| Skills |
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| - uses harmony and disharmony of colours in his work |
| - uses harmony and disharmony of colours in his work |
| - sets colour as a means of expression |
| - sets colour as a means of expression |
| - works with colour depth |
| - works with colour depth |
| - handles primary and secondary corrections |
| - handles primary and secondary corrections |
| - sets the basics of image post-production and film trickery |
| - sets the basics of image post-production and film trickery |
| teaching methods |
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| Knowledge |
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| Teamwork |
| Teamwork |
| Lecturing |
| Lecturing |
| Skills |
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| Activating (Simulation, games, dramatization) |
| Activating (Simulation, games, dramatization) |
| assessment methods |
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| Knowledge |
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| Analysis of the student's performance |
| Grade (Using a grade system) |
| Analysis of the student's performance |
| Grade (Using a grade system) |
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Recommended literature
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Box H.: Set Lighting Technician's Handbook. Film Lighting Equipment, Practice, and Electrical Distribution. Routledge,, 2017. ISBN 1138426156.
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BROWN, B. Lighting. Focal Press. 2012. ISBN 978-0240807638.
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CLEWE, B. Film Production Management: How to Budget, Organize and Successfully Shoot your Film. Routledge, 2017. ISBN 0415788757.
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HONTHANER, B.W. The Complete Film Production Handbook. 2001. ISBN 0240804198.
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MILLERSON, G. Lighting for TV and Film,Routledge. 2015. ISBN 978-1138130128.
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