Course: Dramaturgy seminar 1

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Course title Dramaturgy seminar 1
Course code KAAV/AV8DS
Organizational form of instruction Seminary
Level of course Master
Year of study not specified
Semester Summer
Number of ECTS credits 2
Language of instruction Czech
Status of course unspecified
Form of instruction Face-to-face
Work placements This is not an internship
Recommended optional programme components None
Lecturer(s)
  • Labík Ludovít, prof. ArtD.
Course content
- A triangle of movie stories. - The structure of the drama. - Construction of space. - Characteristics of the hero. - Characteristics of the story. - The myth of the hero. - Double dying. - Negation negation, - Beat. - Gradation.

Learning activities and teaching methods
Lecturing, Monologic (Exposition, lecture, briefing), Dialogic (Discussion, conversation, brainstorming), Analysis of a presentation, Analysis of a work of art, Individual work of students
  • Participation in classes - 13 hours per semester
prerequisite
Knowledge
Completion of a bachelor's degree with an emphasis on film or nearby audiovisual media.
Completion of a bachelor's degree with an emphasis on film or nearby audiovisual media.
learning outcomes
Creativity, communicativeness, diligence, realization of homework.
Creativity, communicativeness, diligence, realization of homework.
Students can describe and characterize: - The triangle of film narratives. - The structure of drama. - The structure of space. - Characteristics of the hero. - Characteristics of a story. - The myth of the hero. - The double dying. - The negation of negation, - Beat. - Graduation.
Students can describe and characterize: - The triangle of film narratives. - The structure of drama. - The structure of space. - Characteristics of the hero. - Characteristics of a story. - The myth of the hero. - The double dying. - The negation of negation, - Beat. - Graduation.
Skills
Students will be able to use their knowledge and adequately analyse specific films and apply particular methods of work in their projects in the following areas: - the structure of drama - characterisation of the hero (application of three-dimensional theory) - choosing an appropriate narrative formula - application of the theory of 'negation of negation' and 'double dying' - the effective application of 'beats' to the structure of the narrative - are able to solve problems of conflict gradation using specific assignments from class
Students will be able to use their knowledge and adequately analyse specific films and apply particular methods of work in their projects in the following areas: - the structure of drama - characterisation of the hero (application of three-dimensional theory) - choosing an appropriate narrative formula - application of the theory of 'negation of negation' and 'double dying' - the effective application of 'beats' to the structure of the narrative - are able to solve problems of conflict gradation using specific assignments from class
teaching methods
Knowledge
Analysis of a presentation
Lecturing
Individual work of students
Individual work of students
Analysis of a work of art
Analysis of a work of art
Analysis of a presentation
Lecturing
Dialogic (Discussion, conversation, brainstorming)
Dialogic (Discussion, conversation, brainstorming)
Monologic (Exposition, lecture, briefing)
Monologic (Exposition, lecture, briefing)
assessment methods
Analysis of seminar paper
Analysis of seminar paper
Written examination
Written examination
Analysis of creative works (Music, visual arts, literature)
Analysis of creative works (Music, visual arts, literature)
Analysis of a presentation given by the student
Analysis of the student's performance
Analysis of a work of art
Analysis of a work of art
Preparation of a presentation, giving a presentation
Preparation of a presentation, giving a presentation
Analysis of a presentation given by the student
Analysis of the student's performance
Recommended literature
  • CAMPBELL, Joseph. The Hero with a Thousands Faces. New Jersey : Princeton University Press,, 2004.
  • Field, Syd. Jak napsat dobrý scénář. Praha, Rybka Publishers, 2007. ISBN 80-87067-65-7.
  • McKee Robert. Story..
  • MONACO, James. Jak číst film. Albatros, Praha, 2004. ISBN 978-80-00-01410-4.
  • NOVOTNÝ, Ján David. Chcete psát scenář. Ediční centrum AMU Praha, 2000. ISBN 80-85883-52-X.
  • Plazewski, Jerzy. Filmová řeč. Praha : Orbis, 1967.
  • THOMPSONOVÁ, Kristin, BORDWELL, David. Dějiny filmu. Praha, 2007. ISBN 978-80-7331-80-2.


Study plans that include the course
Faculty Study plan (Version) Category of Branch/Specialization Recommended year of study Recommended semester