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Lecturer(s)
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Grečnár Ján, prof. Ing. ArtD.
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Hruda Pavel, MgA.
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Course content
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Learning the basics of the work of a location sound recordist during the recording of contact sound (individual devices - practical tests) and of a sound editor on post-production equipment in DAW_AVID_PROTOOLS, following with work on the OSX system. Emphasis is placed on communication with the editor and the director in all parts of production. He/she will use his/her knowledge mainly in the implementation of basic first-year exercises and individual field of study exercises, which focus on the basics of editing and using FX processing in a DAW.
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Learning activities and teaching methods
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Exercises on PC, Practice exercises, Students working in pairs
- Participation in classes
- 130 hours per semester
- Preparation for examination
- 20 hours per semester
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| prerequisite |
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| Knowledge |
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| Prerequisites not specified |
| Prerequisites not specified |
| Skills |
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| Prerequisites not specified |
| Prerequisites not specified |
| learning outcomes |
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| Knowledge |
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| Students can describe and characterize: - define various technical-dramaturgical possibilities associated with the sound recording of larger musical ensembles |
| Students can describe and characterize: - define various technical-dramaturgical possibilities associated with the sound recording of larger musical ensembles |
| - characterise their advantages/disadvantages in recording these musical ensembles |
| - characterise their advantages/disadvantages in recording these musical ensembles |
| - students can describe the different categories of group musical ensembles |
| - students can describe the different categories of group musical ensembles |
| - explain the processing of recording musical groups (ensembles) in studio and live environments |
| - explain the processing of recording musical groups (ensembles) in studio and live environments |
| - explain the possibilities/advantages/disadvantages of post-processing in audio post-production |
| - explain the possibilities/advantages/disadvantages of post-processing in audio post-production |
| Skills |
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| Students can use and apply correctly: - apply various technical-dramaturgical options associated with the sound recording of larger musical ensembles |
| Students can use and apply correctly: - apply various technical-dramaturgical options associated with the sound recording of larger musical ensembles |
| - analyse and select adequate methods of recording the sound of larger musical ensembles |
| - analyse and select adequate methods of recording the sound of larger musical ensembles |
| - students can list the important categories of group musical ensembles |
| - students can list the important categories of group musical ensembles |
| - apply appropriate and suitably chosen methods of processing the recording of musical groups (ensembles) in studio and live environments (including the choice of appropriate software) |
| - apply appropriate and suitably chosen methods of processing the recording of musical groups (ensembles) in studio and live environments (including the choice of appropriate software) |
| - practical post-processing in audio post-production |
| - practical post-processing in audio post-production |
| teaching methods |
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| Knowledge |
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| Practice exercises |
| Exercises on PC |
| Exercises on PC |
| Students working in pairs |
| Practice exercises |
| Students working in pairs |
| assessment methods |
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| Analysis of another type of paper written by the student (Casuistry, diary, plan ...) |
| Analysis of a work of art |
| Analysis of a work of art |
| Analysis of another type of paper written by the student (Casuistry, diary, plan ...) |
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Recommended literature
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BRIXEN, B. Eddy. Audio Metering - Measurements.. Standards and Practice, 2. vydání. UK: Focal Press, 2014. ISBN 978-0-240-81467-4.
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HUBER, M. David & RUNSTEIN E. Robert. Moder recording Techniques.. 9. vydání, NewYork: Routledge, 2018. ISBN 978-1-138-95437-3.
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MILES Dean. Location audio simplified: Capturing your audio..and your Audience.. UK: Focal Press, 2014. ISBN 978-1138018778.
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OWSINSKI Bobby. The mixing engineer´s handbook.. 4. vydání, USA: BobbyOwsinski Media Group, 2017. ISBN 978-0-9985033-4-9.
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VIERS Ric. The Location Sound Bible: How to Record Professional Dialog for Film and TV.. USA: Michael Wiese Productions, 2012. ISBN 978-1615931200.
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