Course: Theory and Technology Sound Composition 7

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Course title Theory and Technology Sound Composition 7
Course code KAAV/AV7TZ
Organizational form of instruction Lecture
Level of course Master
Year of study not specified
Semester Winter
Number of ECTS credits 3
Language of instruction Czech
Status of course unspecified
Form of instruction Face-to-face
Work placements This is not an internship
Recommended optional programme components None
Lecturer(s)
  • Grečnár Ján, prof. Ing. ArtD.
Course content
Course objectives: - Technological procedures for shooting feature films and TV programs in real environments - Sound recording in studios and TV studios - Principles of work of a sound master in the implementation of musical-entertainment, journalistic and documentary programs - Differences between a TV program, a video film and a film project - Spoken word in individual genres of film and television production - Work of an actor with spoken word, work in front of a microphone, work of a sound master. - Processing of a spoken word, the sound component, the technical realization of artistic intention

Learning activities and teaching methods
Monologic (Exposition, lecture, briefing), Demonstration, Projection (static, dynamic)
  • Participation in classes - 24 hours per semester
prerequisite
Knowledge
Dramaturgical principles and regularities, understanding of the thought substance of the work and its representation by sound means, stylistics and symbolism in the field of sound and sound composition.
Dramaturgical principles and regularities, understanding of the thought substance of the work and its representation by sound means, stylistics and symbolism in the field of sound and sound composition.
learning outcomes
Understanding of the thought substance of the work.
Understanding of the thought substance of the work.
teaching methods
Demonstration
Demonstration
Monologic (Exposition, lecture, briefing)
Monologic (Exposition, lecture, briefing)
Projection (static, dynamic)
Projection (static, dynamic)
assessment methods
Analysis of the student's performance
Oral examination
Oral examination
Analysis of the student's performance
Recommended literature
  • BARLET, Bruce. BARLETT, JennY. On-Location Recording Techniques.. Focal Press. 1999. ISBN 0-240-80379-5.
  • COLLINS, Mike. Pro Tools for Music Production. Focal Press. 2002. ISBN 0-240-51640-0.
  • HOLMAN, Tomlinson. Sound for Film and Television.. Focal Press. 2002. ISBN 0-240-80453-8.
  • MILLERSON, Gerald. Television Production.. Focal Press. 2007. ISBN 0-240-51492-0.
  • RAYBURN, Ray A. Eargle´s Microphone Book.. Focal Press. 2013. ISBN 978-0-240-82075.
  • YEWDALL, David Lewis. Practical Art of Motio Picture Sound.. Focal Press, 2003. ISBN 0-240-80525-9.


Study plans that include the course
Faculty Study plan (Version) Category of Branch/Specialization Recommended year of study Recommended semester