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Lecturer(s)
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Gogola Jan, prof. doc. Mgr.MgA
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Course content
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Course objectives: Introduction to the philosophical perception of film Positivism or literality: a film representing the world as it is Structuralism or duality: a film representing the world as seen by the author Post-structuralism or fluidity: a film presenting the world as an author Introduction to the new film history Thomas Elsaesser - "History of Early Cinematography and Multimedia: The Archeology of Possible Futures?" Topics: The Beginnings of Film as the Present. Multimedia Meliés. A non-linear story of cinematography. An introduction to the relationship between social sciences and the audiovisual Arthur Danto - "Works of Art and Real Things." Topics: The History of Art. The definition of art. The original and copy. An introduction to the perception of technology as a co-author Marshall McLuhan: The medium is the actor
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Learning activities and teaching methods
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Monologic (Exposition, lecture, briefing), Methods for working with texts (Textbook, book), Demonstration, Activating (Simulation, games, dramatization)
- Participation in classes
- 26 hours per semester
- Home preparation for classes
- 24 hours per semester
- Preparation for examination
- 25 hours per semester
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| prerequisite |
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| Knowledge |
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| Prerequisites not specified |
| Prerequisites not specified |
| Skills |
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| Prerequisites not specified |
| Prerequisites not specified |
| learning outcomes |
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| Knowledge |
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| The students are able to think about the work in a broader philosophical, sociological and technological contexts. |
| The students are able to think about the work in a broader philosophical, sociological and technological contexts. |
| The student is able to define: - film and media theory |
| The student is able to define: - film and media theory |
| - film and sociology |
| - film and sociology |
| - film and philosophy |
| - film and philosophy |
| - film and poetry |
| - film and poetry |
| - film and technologies |
| - film and technologies |
| Skills |
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| Theory in practice, the student is able to analyze: - film directing and script writing in context of media theory |
| Theory in practice, the student is able to analyze: - film directing and script writing in context of media theory |
| - film directing and script writing as sociology |
| - film directing and script writing as sociology |
| - film directing and script writing as philosophy |
| - film directing and script writing as philosophy |
| - film directing and script writing as poetry |
| - film directing and script writing as poetry |
| - film directing and script writing in context of technologies |
| - film directing and script writing in context of technologies |
| teaching methods |
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| Knowledge |
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| Activating (Simulation, games, dramatization) |
| Demonstration |
| Demonstration |
| Methods for working with texts (Textbook, book) |
| Methods for working with texts (Textbook, book) |
| Activating (Simulation, games, dramatization) |
| Monologic (Exposition, lecture, briefing) |
| Monologic (Exposition, lecture, briefing) |
| assessment methods |
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| Analysis of creative works (Music, visual arts, literature) |
| Analysis of creative works (Music, visual arts, literature) |
| Analysis of the student's performance |
| Analysis of the student's performance |
| Conversation |
| Conversation |
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Recommended literature
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Barthes, Roland. Říše znaků. Fra Praha, 2013. ISBN 9788087429259.
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Bendová, H., Strnad, M. Společenské vědy a audiovize. ISBN 978-80-7331-313-5.
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BRANDO, Marlon. Písně, které mě naučila matka.. Prostor. Praha, 1996.
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BRESSONOVÁ, Myléne (editorka). Bresson o Bressonovi. Rozhovory (1943 ? 1983).. Václav Žák ? Casablanca. ISBN 978-80-87292-36-5.
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CASETTI, Francesco. Filmové teorie 1945-1990. Praha: Nakladatelství Akademie múzických umění v Praze, 2008. ISBN 978-80-7331-143-8.
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CIESLAR, Jiří. Filmové zápisky 90 - 93.. Karel Stibral ? GRYF. ISBN 80-85829-02-9.
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CIESLAR, Jiří. Luis Buňuel. Československý filmový ústav. MK ČSR 59-119-86.
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ČENĚK, David. Chris Marker. NAMU a JSAF. ISBN 978-80-7331-242-8.
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ČIHÁK, Martin. Ponorná řeka kinematografie.. NAMU. ISBN 80-7331- 283-1.
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Deleuze, Gilles. Film 1 Obraz - pohyb. Praha, NFA, 2000. ISBN 80-7004-098-X.
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DELEUZE, Gilles. Film 2. Obraz - čas.. NFA. ISBN 80-7004-127-7.
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GOGOLA, Jan. Smrt dokumentárnímu filmu! Od díla k dění! Ať žije film!. Diplomová práce.. FAMU. 2001.
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Jacques Aumont. Obraz. Akademie múzických umění v Praze, 2005. ISBN 80-7331-045-7.
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KRÁL, Petr. Groteska aneb Morálka šlehačkového dortu.. 1999. ISBN 80-7004-092-0.
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LATOUR, Bruno. Stopovat a skládat svět s Brunem Latourem. Výbor z textů 1998 - 2013. NAMU. ISBN 978-80-87259-37-5.
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McLuhan, M. Jak rozumět médiím . Praha, 1991. ISBN 80-207-0296-2.
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Mišíková, Katarína. Mysl a příběh ve filmové fikci : o kognitivistických přístupech k teorii filmové narace. 1. vyd. Praha : Akademie múzických umění v Praze, 2009. ISBN 978-80-7331-126-1.
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RENOIR, Jean. Můj život a mé filmy.. Academia. ISBN 80-200-1228-1.
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SLOVÁKOVÁ, Andrea. Co je nového ve filmové vědě.. Nová beseda. ISBN 978-80-906751-1-7.
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SZCZEPANIK, Petr (editor). Nová filmová historie. Antologie současného myšlení o dějinách kinematografie a audiovizuální kultury. Herrmann a synové. Praha, 2004.
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