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Lecturer(s)
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Course content
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Basic topics cover: o Cinematography Fund and support for the film industry o production dramaturgy o legal and financial aspects of co-production o media management o film marketing
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Learning activities and teaching methods
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Dialogic (Discussion, conversation, brainstorming), Methods for written tasks (e.g. comprehensive exams, written tests)
- Participation in classes
- 26 hours per semester
- Home preparation for classes
- 24 hours per semester
- Preparation for examination
- 25 hours per semester
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| prerequisite |
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| Knowledge |
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| Prerequisites not specified |
| Prerequisites not specified |
| Skills |
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| Prerequisites not specified |
| Prerequisites not specified |
| learning outcomes |
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| Knowledge |
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| - explain the stages of post-production and distribution |
| - lighting workflow of project processing in the pre-, post and production phases incl. necessary practical tasks and administration. |
| - lighting workflow of project processing in the pre-, post and production phases incl. necessary practical tasks and administration. |
| - explain the stages of post-production and distribution |
| - describe individual work with the material |
| - describe individual work with the material |
| - characterize the specifics of marketing |
| - characterize the specifics of marketing |
| - describe the structure of the distribution agreement |
| - describe the structure of the distribution agreement |
| Skills |
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| - able to analyze the differences between the production of feature films, television programs, animated works, and commercials |
| - able to analyze the differences between the production of feature films, television programs, animated works, and commercials |
| - assemble a staff independently |
| - assemble a staff independently |
| - prepare the implementation of AVD |
| - prepare the implementation of AVD |
| - compile a planned price calculation for individual genres |
| - compile a planned price calculation for individual genres |
| - is capable of leading and organizing a team |
| - is capable of leading and organizing a team |
| teaching methods |
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| Knowledge |
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| Methods for written tasks (e.g. comprehensive exams, written tests) |
| Methods for written tasks (e.g. comprehensive exams, written tests) |
| Dialogic (Discussion, conversation, brainstorming) |
| Dialogic (Discussion, conversation, brainstorming) |
| assessment methods |
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| Analysis of the student's performance |
| Conversation |
| Conversation |
| Analysis of the student's performance |
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Recommended literature
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U?mluva Rady Evropy o filmove? koprodukci (revidovane? zne?ni?) - Convention on Cinematographic Co-Production. [Rotterdam, 30. 1. 2017].
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Zákon č. 121/2000 Sb., o právu autorském, o právech souvisejících s právem autorským a o změně některých zákonů (autorský zákon).
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Aristotelés. Poetika : řecko-česky. 1. vyd. Praha : OIKOYMENH, 2008. ISBN 978-80-7298-131-1.
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Aronsonová, Linda. Scénář pro 21. století. Praha, 2014. ISBN 978-80-7331-314-2.
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DAVID Ivan. Filmové právo: Autorskoprávní perspektiva.. Praha, 2015. ISBN 978-80-906089-0-0.
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Kerrigan. Film Marketing. New York, 2017. ISBN 978-1-138-01335-3.
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NEUMANN D. The Fine Art of Co-producing. Madrid, 2002. ISBN 84-88773-08-0.
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