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Lecturer(s)
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Course content
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The course unit Camera 7 has as its main priority to analyze light, the concept of light, the light scene, the changes of light, and its use in film practice. Students analyze light in the open air and try to understand its daily variability. This observation is closely connected with the analysis of the usability of this observation in pictorial dramaturgy. Students solve case studies and in connection with the subject AVP 7 they practically implement them. Students also deepen their knowledge of film analysis with regard to visual dramaturgy. They solve the relationship between the idea / concept and its practical feasibility. They get acquainted with the screenplay of a feature film and, in a close connection, prepare a dramaturgical visual concept, create lighting plans, deal with visual technology, and financial impacts.
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Learning activities and teaching methods
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Lecturing, Projection (static, dynamic), Training in motion and work skills, Practice exercises
- Home preparation for classes
- 24 hours per semester
- Preparation for examination
- 25 hours per semester
- Participation in classes
- 26 hours per semester
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| prerequisite |
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| Knowledge |
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| Prerequisites not specified |
| Prerequisites not specified |
| Skills |
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| Prerequisites not specified |
| Prerequisites not specified |
| learning outcomes |
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| Knowledge |
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| The student understands the expression and orients himself in the work. |
| The student understands the expression and orients himself in the work. |
| - defines harmonies and discords of colours |
| - defines harmonies and discords of colours |
| - explains the problem of colour as a means of expression |
| - explains the problem of colour as a means of expression |
| - describe the creation of a scene in relation to colour depth |
| - describe the creation of a scene in relation to colour depth |
| - define what is a mask, air perspective, or primary and secondary correction |
| - define what is a mask, air perspective, or primary and secondary correction |
| - explain the basics of image post-production and film trickery |
| - explain the basics of image post-production and film trickery |
| Skills |
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| - uses harmony and disharmony of colours in his work |
| - uses harmony and disharmony of colours in his work |
| - sets colour as a means of expression |
| - sets colour as a means of expression |
| - works with colour depth |
| - works with colour depth |
| - handles primary and secondary corrections |
| - handles primary and secondary corrections |
| - sets the basics of image post-production and film trickery |
| - sets the basics of image post-production and film trickery |
| teaching methods |
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| Knowledge |
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| Lecturing |
| Lecturing |
| Practice exercises |
| Projection (static, dynamic) |
| Projection (static, dynamic) |
| Training in motion and work skills |
| Practice exercises |
| Training in motion and work skills |
| assessment methods |
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| Written examination |
| Written examination |
| Oral examination |
| Oral examination |
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Recommended literature
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BOJANOVSKÝ, V. Základní principy osvětlování.
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Box H.: Set Lighting Technician's Handbook. Film Lighting Equipment, Practice, and Electrical Distribution. Routledge,, 2017. ISBN 1138426156.
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BROWN, B. Lighting. Focal Press. 2012. ISBN 978-0240807638.
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CLEWE, B. Film Production Management: How to Budget, Organize and Successfully Shoot your Film. Routledge, 2017. ISBN 0415788757.
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HONTHANER, B.W. The Complete Film Production Handbook. 2001. ISBN 0240804198.
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MILLERSON, G. Lighting for TV and Film,Routledge. 2015. ISBN 978-1138130128.
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