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Lecturer(s)
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Course content
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The course unit Camera 7 has as its main priority to analyze light, the concept of light, the light scene, the changes of light, and its use in film practice. Students analyze light in the open air and try to understand its daily variability. This observation is closely connected with the analysis of the usability of this observation in pictorial dramaturgy. Students solve case studies and in connection with the subject AVP 7 they practically implement them. Students also deepen their knowledge of film analysis with regard to visual dramaturgy. They solve the relationship between the idea / concept and its practical feasibility. They get acquainted with the screenplay of a feature film and, in a close connection, prepare a dramaturgical visual concept, create lighting plans, deal with visual technology, and financial impacts.
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Learning activities and teaching methods
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Lecturing, Projection (static, dynamic), Training in motion and work skills, Practice exercises
- Participation in classes
- 24 hours per semester
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| prerequisite |
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| Knowledge |
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| The student has a broad knowledge of the current state of scanning and recording technology, image formats and is familiar with the ways of its use. They will gain theoretical knowledge and practical experience of working with a camera and practice practical composition. |
| The student has a broad knowledge of the current state of scanning and recording technology, image formats and is familiar with the ways of its use. They will gain theoretical knowledge and practical experience of working with a camera and practice practical composition. |
| learning outcomes |
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| The student is able to master the artistic, technical and organizational aspects of the preparation of audiovisual work in cooperation with other components of the production staff. |
| The student is able to master the artistic, technical and organizational aspects of the preparation of audiovisual work in cooperation with other components of the production staff. |
| teaching methods |
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| Practice exercises |
| Projection (static, dynamic) |
| Projection (static, dynamic) |
| Training in motion and work skills |
| Lecturing |
| Practice exercises |
| Lecturing |
| Training in motion and work skills |
| assessment methods |
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| Written examination |
| Written examination |
| Oral examination |
| Oral examination |
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Recommended literature
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BOJANOVSKÝ, V. Základní principy osvětlování.
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Box H.: Set Lighting Technician's Handbook. Film Lighting Equipment, Practice, and Electrical Distribution. Routledge,, 2017. ISBN 1138426156.
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BROWN, B. Lighting. Focal Press. 2012. ISBN 978-0240807638.
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CLEWE, B. Film Production Management: How to Budget, Organize and Successfully Shoot your Film. Routledge, 2017. ISBN 0415788757.
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HONTHANER, B.W. The Complete Film Production Handbook. 2001. ISBN 0240804198.
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MILLERSON, G. Lighting for TV and Film,Routledge. 2015. ISBN 978-1138130128.
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