Course: Audiovisual Practice Directing and Screenwriting 7

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Course title Audiovisual Practice Directing and Screenwriting 7
Course code KAAV/AV7RS
Organizational form of instruction Lesson + Seminary
Level of course Master
Year of study not specified
Semester Winter
Number of ECTS credits 6
Language of instruction Czech
Status of course unspecified
Form of instruction Face-to-face
Work placements This is not an internship
Recommended optional programme components None
Lecturer(s)
  • Gogola Jan, doc. Mgr. MgA.
Course content
Ability to create in the line of tradition and the spirit of otherness: -what, as a topic -how, as a form -structure, as a narration -why, as in a justification for the origin of the film, in the international social and media context, and as an author's personal motivation for the origin of the film -who, as movie characters -where, as movie locations -when, as movie time -concretization, as film content Working with an actor in the form of dialogue in the spirit of Ivan Vyskočil's method. The analysis of scripts for the finished and unfinished professional films. The tradition and experiment, and personalities of world cinema as partners and not as encyclopedic icons.

Learning activities and teaching methods
Dialogic (Discussion, conversation, brainstorming), Activating (Simulation, games, dramatization), Teamwork, Analysis of a presentation, Analysis of a work of art, Individual work of students
  • Participation in classes - 120 hours per semester
prerequisite
Knowledge
The ability and willingness of students to use in the course of work on film both established documentary means and possibly methods analogous to the procedures staged, literary, performative, artistic and others.
The ability and willingness of students to use in the course of work on film both established documentary means and possibly methods analogous to the procedures staged, literary, performative, artistic and others.
learning outcomes
Familiarization of the student with traditional and special procedures in a fiction film and document in a broader methodological and intellectual context.
Familiarization of the student with traditional and special procedures in a fiction film and document in a broader methodological and intellectual context.
-genres of fiction film -anti-genres of fiction film -genres of documentary -anti-genres of documentary -cinematography as social phenomenon
-genres of fiction film -anti-genres of fiction film -genres of documentary -anti-genres of documentary -cinematography as social phenomenon
Skills
-topic of fiction genres -topic of fiction anti-genres -topic of documentary genres -topic of documentary anti-genres -topic in a social contexts
-topic of fiction genres -topic of fiction anti-genres -topic of documentary genres -topic of documentary anti-genres -topic in a social contexts
teaching methods
Knowledge
Analysis of a work of art
Analysis of a work of art
Individual work of students
Teamwork
Teamwork
Analysis of a presentation
Analysis of a presentation
Dialogic (Discussion, conversation, brainstorming)
Dialogic (Discussion, conversation, brainstorming)
Individual work of students
Activating (Simulation, games, dramatization)
Activating (Simulation, games, dramatization)
assessment methods
Conversation
Analysis of the student's performance
Conversation
Analysis of the student's performance
Analysis of seminar paper
Analysis of seminar paper
Recommended literature
  • Scénáře realizovaných i nerealizovaných hraných i dokumentárních, profesionálních i studentských filmů..
  • Antonioni, M. Kuželník u Tiberu. ISBN 605-22-855.
  • Bergman, I. Laterna Magica. ISBN 01-110-91.
  • Bessy, M. Orson Welles. Orbis.
  • Borstin, Jon. Tajemství filmové řeči. Universum. ISBN 978-80-7617-619-5.
  • Bresson, R. Poznámky o kinematografu. Praha : Dauphin, 1998. ISBN 80-86019-68-3.
  • Buňuel, L. Do posledního dechu. ISBN 80-903455-0-6.
  • Carriere, Jean-Claude. Vyprávět příběh. Praha : NFA, 1995. ISBN 80-7004-081-5.
  • EPSTEIN, Jean. Poetika obrazů. Herrmann a synové.
  • Fellini, F. Dělat film. ISBN 401-22-856.
  • Fleischer, Jan. To by mohl být film. ISBN 978-80-7331-156-8.
  • Gindl-Tatárová, Zuzana. Umelecké filmové dielo a komercia z hľadiska praktickej dramaturgie. Bratislava, 2000. ISBN 8085182726.
  • GOGOLA, Jan. Smrt dokumentárnímu filmu! Od díla k dění! Ať žije film!. Diplomová práce.. FAMU. 2001.
  • Juráček, P. Deník (1959 - 1974). ISBN 59-044-03.
  • Nichols, Bill. Úvod do dokumentárního filmu. 1. vyd. Praha : Akademie múzických umění v Praze ; Jihlava : JSAF, Mezinárodní festival dokumentárních filmů, 2010. ISBN 978-80-7331-181-0.
  • Truffaut, F. Rozhovory Hitchcock Truffaut, ČSFÚ, Praha. 1987.


Study plans that include the course
Faculty Study plan (Version) Category of Branch/Specialization Recommended year of study Recommended semester