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Lecturer(s)
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Course content
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Course contents: - microphones - space and stereophony, acoustic-psychological aspects - working with Ambisionic format - VR AUDIO - difference between studio and live recording and recording symphonic and popular music, spatial and acoustic differences in concert locations and music halls, sound studios, influence of audience, selection of microphones - positions and distances, a choice of stereophony types - working with music - sound studio, sound director, music director - studio sound recording, musical instruments and singers in front of a microphone - acoustic properties of musical instruments (dynamics, colour, frequency emission)
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Learning activities and teaching methods
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Monologic (Exposition, lecture, briefing), Demonstration, Projection (static, dynamic)
- Participation in classes
- 36 hours per semester
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| prerequisite |
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| Knowledge |
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| Student will utilize their gained knowledge mainly when recording large music orchestras and when collecting sound material for their Diploma work. The can apply their knowledge when recording live performance or TV broadcasts, etc. |
| Student will utilize their gained knowledge mainly when recording large music orchestras and when collecting sound material for their Diploma work. The can apply their knowledge when recording live performance or TV broadcasts, etc. |
| learning outcomes |
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| The student is able to orientate in trick technologies and choose the appropriate technological solution for a creative task. |
| The student is able to orientate in trick technologies and choose the appropriate technological solution for a creative task. |
| teaching methods |
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| Demonstration |
| Demonstration |
| Monologic (Exposition, lecture, briefing) |
| Monologic (Exposition, lecture, briefing) |
| Projection (static, dynamic) |
| Projection (static, dynamic) |
| assessment methods |
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| Analysis of the student's performance |
| Oral examination |
| Oral examination |
| Analysis of the student's performance |
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Recommended literature
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BARLET, Bruce. BARLETT, JennY. On-Location Recording Techniques.. Focal Press. 1999. ISBN 0-240-80379-5.
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Grečnár Jan. Zvuková realizácia filmu - umenie majstra zvuku. Juga. 2012. ISBN 978-80-89030-50-7.
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Mike Collins. Pro Tools for Music Production. Focal Press. 2002. ISBN 0-240-51640-0.
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RAYBURN, Ray A. Eargle´s Microphone Book.. Focal Press. 2013. ISBN 978-0-240-82075.
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YEWDALL, David Lewis. Practical Art of Motio Picture Sound.. Focal Press, 2003. ISBN 0-240-80525-9.
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