Course: Audiovisual Practice Editing 5

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Course title Audiovisual Practice Editing 5
Course code KAAV/AV5SS
Organizational form of instruction Lesson + Seminary
Level of course Bachelor
Year of study not specified
Semester Winter
Number of ECTS credits 6
Language of instruction Czech
Status of course unspecified
Form of instruction Face-to-face
Work placements This is not an internship
Recommended optional programme components None
Lecturer(s)
  • Ondruš Juraj, MgA. Ph.D.
  • Šenovský Otakar, BcA.
  • Nemeškal Libor, doc. MgA. Ph.D.
  • Krcha Daniel, MgA. Ph.D.
Course content
Students will also try working with short advertising units such as teasers and trailers. Practical exercises: - Joint interdisciplinary exercises. - Trailer, teaser. - The shift in genres. - A dramatic scene. - A scene from a crime movie. - Practical exam from the subject.

Learning activities and teaching methods
Monologic (Exposition, lecture, briefing), Projection (static, dynamic), Exercises on PC, Teamwork, Analysis of a work of art, Individual work of students
  • Participation in classes - 72 hours per semester
prerequisite
Knowledge
The aim of the course is an introductory acquaintance of students with the basics of theoretical and practical aspects of editing. After introducing the topic of digital technologies, nonlinear editing programs and introducing editing workplaces, students work on assigned practical exercises.
The aim of the course is an introductory acquaintance of students with the basics of theoretical and practical aspects of editing. After introducing the topic of digital technologies, nonlinear editing programs and introducing editing workplaces, students work on assigned practical exercises.
learning outcomes
Characterize the specifics of editing in a drama genre
Characterize the specifics of editing in a drama genre
Characterize the specifics of editing in a comedy genre
Characterize the specifics of editing in a comedy genre
Describe the duties of an editor, assistant editor, script supervisor and DIT
Describe the duties of an editor, assistant editor, script supervisor and DIT
List procedures of editing a short-length scripted film
List procedures of editing a short-length scripted film
Characterize the differences in editing of different genres and formats
Characterize the differences in editing of different genres and formats
Skills
Edit a drama genre
Edit a drama genre
Edit a comedy genre
Edit a comedy genre
Edit a short-length scripted film in specified genre
Edit a short-length scripted film in specified genre
Collaborate on the creation of a bachelor's project as an editing assistant
Collaborate on the creation of a bachelor's project as an editing assistant
Collaborate on the creation of a bachelor's project as a script supervisor or DIT
Collaborate on the creation of a bachelor's project as a script supervisor or DIT
teaching methods
Knowledge
Individual work of students
Teamwork
Teamwork
Individual work of students
Analysis of a work of art
Projection (static, dynamic)
Monologic (Exposition, lecture, briefing)
Monologic (Exposition, lecture, briefing)
Exercises on PC
Exercises on PC
Projection (static, dynamic)
Analysis of a work of art
assessment methods
Analysis of the student's performance
Analysis of creative works (Music, visual arts, literature)
Analysis of creative works (Music, visual arts, literature)
Analysis of the student's performance
Recommended literature
  • Kučera, Jan. Střihová skladba ve filmu a v televizi. 2. dopl. vyd. Praha : Akademie múzických umění, 2002. ISBN 8073318962.
  • Murch Walter. In the Blink of an Eye. Los Angeles, 2001. ISBN 1-879505-62-2.


Study plans that include the course
Faculty Study plan (Version) Category of Branch/Specialization Recommended year of study Recommended semester