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Lecturer(s)
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Kocí Irena, MgA. Ph.D.
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Velič Martin, MgA.
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Course content
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In the course unit, individually and in groups, we practice other forms and forms of approach to the creation of AV works. The student will learn the means and technical specifications of individual AV technologies. We deepen our work with all the means that lead to a qualitative shift in the processing of dramatic material and relate to the following topics: premise, scene construction, sequence, fabula suspense, principles of gradation. The output of the course is a finished screenplay of a Bachelor's practical project. The content of the course is adapted to the individual needs of individual projects, depending on the type and kind of selected AV form. The expected focus will be mainly on practical training in the following areas: - Staging methods and procedures - Directing approaches to the construction of the scene (perspective, dominance, action, and feeling, etc.) - Scene shooting (procedures for different types of scenes, series and coordinates of shots, etc.) - Shooting action in terms of collaboration with a cameraman - Working with time within a scene (gradation, the extension of tension, etc.) - Film space as a meaning-creating element of the scene - Light as a means of expression All partial exercises and etudes are also used to practice writing accompanying texts for the script (synopsis, annotation, treatment, explanation) and to practice creating technical screenplays.
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Learning activities and teaching methods
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Lecturing, Monologic (Exposition, lecture, briefing), Methods for working with texts (Textbook, book), Activating (Simulation, games, dramatization), Analysis of a work of art
- Participation in classes
- 72 hours per semester
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| prerequisite |
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| Knowledge |
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| Creative work with text. |
| Creative work with text. |
| learning outcomes |
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| The student masters the technologies of the field in the scope given by the content and goal of the course. |
| The student masters the technologies of the field in the scope given by the content and goal of the course. |
| Student - defines the basics of script writing, the main idea and the supporting problem, - explains the difference between an idea and a theme, - characterizes a scene, sequence, knows what the message and style of a screenplay is, - knows what conventional narrative structure is and knows the different stages of story construction, - finds the difference between an event line, a relationship line and their connection, - defines character creation and the process of character development, - knows the principles of dramaturgy of an audiovisual work. In the field of directing: - defines the roles of the components of a film crew, - finds an approach to the script, - explains the rules of dramaturgy, - explains the rules of technical scriptwriting, - defines the rules of creation to write a synopsis, - explains how to work with an actor. |
| Student - defines the basics of script writing, the main idea and the supporting problem, - explains the difference between an idea and a theme, - characterizes a scene, sequence, knows what the message and style of a screenplay is, - knows what conventional narrative structure is and knows the different stages of story construction, - finds the difference between an event line, a relationship line and their connection, - defines character creation and the process of character development, - knows the principles of dramaturgy of an audiovisual work. In the field of directing: - defines the roles of the components of a film crew, - finds an approach to the script, - explains the rules of dramaturgy, - explains the rules of technical scriptwriting, - defines the rules of creation to write a synopsis, - explains how to work with an actor. |
| Skills |
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| In screenwriting: - Can work with the development of an idea in the creation of a script, - can write a coherent theme - establishes a line of events and a line of relationships, can link them, - choose an appropriate protagonist and an appropriate antagonist, - construct a conventional narrative structure for a screenplay. In directing: - Can assemble a functional crew with basic ingredients, - choose the right approach to the script, - identifies the structure of the fabric, its gradation, - in the case of foreign material, can apply a dramaturgical approach to the script, - choose an appropriate cast. |
| In screenwriting: - Can work with the development of an idea in the creation of a script, - can write a coherent theme - establishes a line of events and a line of relationships, can link them, - choose an appropriate protagonist and an appropriate antagonist, - construct a conventional narrative structure for a screenplay. In directing: - Can assemble a functional crew with basic ingredients, - choose the right approach to the script, - identifies the structure of the fabric, its gradation, - in the case of foreign material, can apply a dramaturgical approach to the script, - choose an appropriate cast. |
| teaching methods |
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| Knowledge |
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| Activating (Simulation, games, dramatization) |
| Analysis of a work of art |
| Analysis of a work of art |
| Lecturing |
| Methods for working with texts (Textbook, book) |
| Methods for working with texts (Textbook, book) |
| Monologic (Exposition, lecture, briefing) |
| Activating (Simulation, games, dramatization) |
| Lecturing |
| Monologic (Exposition, lecture, briefing) |
| assessment methods |
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| Analysis of the student's performance |
| Systematic observation of the student |
| Systematic observation of the student |
| Analysis of creative works (Music, visual arts, literature) |
| Analysis of creative works (Music, visual arts, literature) |
| Conversation |
| Conversation |
| Analysis of the student's performance |
| Text analysis |
| Text analysis |
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Recommended literature
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Aronsonová, Linda. Scénář pro 21. století. Praha, 2014. ISBN 978-80-7331-314-2.
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EGRI Lajos. Umění dramatického psan. Quadrom z.s., M. Koláček, 2013. ISBN 978-80-7589-494-6.
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Jirák, Jan. Média a společnost : [stručný úvod do studia médií a mediální komunikace]. Vyd. 1. Praha : Portál, 2003. ISBN 8071786977.
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Michael Rabiger. Directing: Film Techniques and Aesthetics. Focal Press, 2013. ISBN 0240818458.
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