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Lecturer(s)
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Liebenberger Július, Mgr. art. ArtD.
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Course content
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Examples presented during the seminars help students to understand problematics of atmosphere creation with help of camera expressive means. Students learn about the problematics of image processing in an electronic camera, they learn terms such as coding, container, compression, and decompression. Problematics of distribution and image processing in relation to distribution media will be explained, colour space and colour image processing will be analysed. Theoretical part of the lectures will cover basics of image post-production and film special effects, space will be analysed together with its potential for utilisation in dramaturgy. Students are professionally informed about possible ways of utilisation of film lighting equipment. They analyse its utilisation and in the connection with scene lighting, they can recognise its photometric measures and usable characteristics. Students analyse and get engaged with space architecture and ways of its lighting. They examine the light ratio and its influence on the light atmosphere, analyse a 5-point lighting, create various light atmospheres. In a close connection to practical exercises course participants aim at a basic interrelation of a literary source, visual concept and its practical realisation in relation to dramaturgy. A master handling of lighting a film scene is completed with an introduction to CLRS Berger - Bertelsbach system of lighting and its practical utilisation in lighting space.
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Learning activities and teaching methods
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Lecturing, Projection (static, dynamic), Practice exercises
- Participation in classes
- 39 hours per semester
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| prerequisite |
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| Knowledge |
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| The student will gain a broad knowledge of the current state of scanning and recording technology, image formats and is familiar with the ways of its use. They will gain theoretical knowledge and practical experience of working with a camera and practice practical composition. |
| The student will gain a broad knowledge of the current state of scanning and recording technology, image formats and is familiar with the ways of its use. They will gain theoretical knowledge and practical experience of working with a camera and practice practical composition. |
| learning outcomes |
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| The student understands the expression and orients himself in the work. |
| The student understands the expression and orients himself in the work. |
| - defines the creation of atmosphere using cinematographic means of expression - explains the issues of image processing in electronic camera - describe what is encoding, compression, decompression - define the issues of image distribution and processing in relation to distribution media - explain the basics of image post-production and film trickery |
| - defines the creation of atmosphere using cinematographic means of expression - explains the issues of image processing in electronic camera - describe what is encoding, compression, decompression - define the issues of image distribution and processing in relation to distribution media - explain the basics of image post-production and film trickery |
| Skills |
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| - works with the film atmosphere using cinematographic means - analyses the space and dramaturgical relations induced by the space - uses knowledge of image processing in an electronic camera when filming - uses knowledge of encoding, compression, decompression when filming - processes the image in relation to the distribution medium |
| - works with the film atmosphere using cinematographic means - analyses the space and dramaturgical relations induced by the space - uses knowledge of image processing in an electronic camera when filming - uses knowledge of encoding, compression, decompression when filming - processes the image in relation to the distribution medium |
| teaching methods |
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| Knowledge |
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| Practice exercises |
| Lecturing |
| Practice exercises |
| Projection (static, dynamic) |
| Projection (static, dynamic) |
| Lecturing |
| assessment methods |
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| Written examination |
| Oral examination |
| Written examination |
| Oral examination |
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Recommended literature
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BACHER, H.P., SURVAVANSHI, S. Vision: Color and Composition for Film.. Laurence King Publishing, 2018. ISBN 1786272202.
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FORTIN D.T. Architecture and Science-Fiction Film: Philip K. Dick and the Spectacle of Home. ASIN: B01NCHXBUJ. Ashgate Studies in Architecture), Routledge, 2016.
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HULFISH, S. The Art and Technique of Digital Color Correction.. Focal Press, 2012. ISBN 024081715X.
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NEUMANN D. Film Architecture: From Metropolis to Blade Runner.. Prestel Pub, 1999. ISBN 3791321633.
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PETERSON B. Understanding Color in Photography: Using Color, Composition, and Exposure to Create Vivid Photos.. Watson-Guptill, 2017. ISBN 9780770433116.
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