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Lecturer(s)
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Krcha Daniel, MgA. Ph.D.
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Nemeškal Libor, doc. MgA. Ph.D., Ed.D.
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Course content
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Students will also try to work with live/image editing technology. Practical exercises: - Semester exercises. - American comedy. - Czech comedy. - A romantic scene. - Live editing. - Practical exam from the subject.
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Learning activities and teaching methods
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Monologic (Exposition, lecture, briefing), Projection (static, dynamic), Exercises on PC, Teamwork, Analysis of a work of art, Individual work of students
- Participation in classes
- 78 hours per semester
- Home preparation for classes
- 32 hours per semester
- Preparation for examination
- 40 hours per semester
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| prerequisite |
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| Knowledge |
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| Prerequisites not specified |
| Prerequisites not specified |
| Skills |
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| Prerequisites not specified |
| Prerequisites not specified |
| learning outcomes |
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| Knowledge |
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| The student masters the technologies of the field in the scope given by the content and goal of the course. |
| The student masters the technologies of the field in the scope given by the content and goal of the course. |
| Students are introduced to strategies and different options for creative approaches to editing in these genres and formats - they can describe and characterize the patterns of editing in: - Television Advertising. |
| Students are introduced to strategies and different options for creative approaches to editing in these genres and formats - they can describe and characterize the patterns of editing in: - Television Advertising. |
| - Advertising film. |
| - Advertising film. |
| - Video clip. |
| - Video clip. |
| - Advertising. |
| - Advertising. |
| - Live editing. |
| - Live editing. |
| Skills |
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| Students are able to apply, describe and characterize the different strategies and possibilities of creative approaches to editing in these genres and formats: - Television advertising. |
| Students are able to apply, describe and characterize the different strategies and possibilities of creative approaches to editing in these genres and formats: - Television advertising. |
| - Advertising film. |
| - Advertising film. |
| - Commercial advertising, music video. |
| - Commercial advertising, music video. |
| - Advertising. |
| - Advertising. |
| - Live editing. |
| - Live editing. |
| teaching methods |
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| Knowledge |
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| Individual work of students |
| Individual work of students |
| Analysis of a work of art |
| Analysis of a work of art |
| Exercises on PC |
| Exercises on PC |
| Projection (static, dynamic) |
| Projection (static, dynamic) |
| Monologic (Exposition, lecture, briefing) |
| Teamwork |
| Teamwork |
| Monologic (Exposition, lecture, briefing) |
| assessment methods |
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| Analysis of creative works (Music, visual arts, literature) |
| Analysis of creative works (Music, visual arts, literature) |
| Analysis of the student's performance |
| Analysis of the student's performance |
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Recommended literature
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Bordwell, David a Kristin Thopson. Umění filmu: úvod do studia formy a stylu. Praha, 2011. ISBN 978-80-7331-217-6.
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Karel Reisz, Gavin Millar. The technoque of film editing. Burlington, 2010. ISBN 9787-024-0521-855.
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Ken Dancyger. The technoque of film and video editing: history, theory and practice. New York, 2011. ISBN 978-024-0813-974.
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