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Lecturer(s)
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Liebenberger Július, Mgr. art. ArtD.
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Course content
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It focuses on assigning and consulting practical exercises. The focus of the subject is also on practicing exponometric situations, camera movement, and scene lighting. In the course, the student will also get acquainted with the practical use of exponometry as a creative tool in the implementation of dramatic intent. The output is AV work that reflects the student's ability to gain comprehensive knowledge in creating dramatic AV work. - concept of colour, colour - individual colour theories - working with colour, application practice - colour models - CIE trichromatic triangle - Differential colour equation. - Camera color space
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Learning activities and teaching methods
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Lecturing, Projection (static, dynamic), Practice exercises
- Participation in classes
- 78 hours per semester
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| prerequisite |
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| Knowledge |
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| The student is able to significantly apply theoretical knowledge. |
| The student is able to significantly apply theoretical knowledge. |
| learning outcomes |
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| The student is able to significantly apply theoretical knowledge and insights in their own projects of audiovisual works. |
| The student is able to significantly apply theoretical knowledge and insights in their own projects of audiovisual works. |
| - defines the principles of exponometry - explain the principles of exponometric situations in relation to camera movement - explains the principles of exponometric situations in relation to scene lighting - describe the principles of exponometry as a creative tool in the realisation of a dramatic intention - explain the principles of exponometry in image composition |
| - defines the principles of exponometry - explain the principles of exponometric situations in relation to camera movement - explains the principles of exponometric situations in relation to scene lighting - describe the principles of exponometry as a creative tool in the realisation of a dramatic intention - explain the principles of exponometry in image composition |
| Skills |
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| - evaluates the principles of exponometry - uses exponometry in relation to camera movement - uses exponometry in relation to illumination - uses the principles of exponometry as a creative tool to realise the dramatic intent of a work - masters exponometry in composing a picture |
| - evaluates the principles of exponometry - uses exponometry in relation to camera movement - uses exponometry in relation to illumination - uses the principles of exponometry as a creative tool to realise the dramatic intent of a work - masters exponometry in composing a picture |
| teaching methods |
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| Knowledge |
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| Lecturing |
| Practice exercises |
| Practice exercises |
| Projection (static, dynamic) |
| Projection (static, dynamic) |
| Lecturing |
| assessment methods |
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| Written examination |
| Grade (Using a grade system) |
| Grade (Using a grade system) |
| Written examination |
| Oral examination |
| Oral examination |
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Recommended literature
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BROWN, B. AVP 100 Bundle 2018: Motion Picture and Video Lighting, Routletge. 2018. ISBN 041585413X.
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Harry Box, Set Lighting. Technician's Handbook, Routledge. 2010. ISBN 9780240810751.
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MALKIEWISZ, K. Film Lighting: Talks with Hollywood's Cinematographers and Gaffers, Touchstone. 2012. ISBN 978-1439169063.
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UVA, G.M. Studio grip´s essential guide, Routledge. 2013. ISBN 0415842379.
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