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Lecturer(s)
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Grečnár Ján, prof. Ing. ArtD.
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Course content
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Emphasis is placed primarily on communication between the sound and editing post-production workplaces. The student's knowledge is further deepened especially in the field of involvement and management of metadata with their subsequent use in audio post-production - the acquired skills are utilized mainly in the implementation of the basic first-year exercises and individual field exercises that focus on advanced editing and automation in the DAW Avid ProTools.
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Learning activities and teaching methods
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Exercises on PC, Practice exercises, Students working in pairs
- Participation in classes
- 72 hours per semester
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| prerequisite |
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| Knowledge |
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| The student has general knowledge in the field of information technology. Self-study is a basic prerequisite for successful mastering of the subject (according to literature, internet sources, etc.). |
| The student has general knowledge in the field of information technology. Self-study is a basic prerequisite for successful mastering of the subject (according to literature, internet sources, etc.). |
| learning outcomes |
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| The student will learn to communicate in the film crew - especially in relation to directing and editing. He is able to make a short film and exercises according to the assignment. |
| The student will learn to communicate in the film crew - especially in relation to directing and editing. He is able to make a short film and exercises according to the assignment. |
| teaching methods |
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| Exercises on PC |
| Practice exercises |
| Practice exercises |
| Students working in pairs |
| Students working in pairs |
| Exercises on PC |
| assessment methods |
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| Analysis of educational material |
| Analysis of a work of art |
| Analysis of a work of art |
| Analysis of educational material |
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Recommended literature
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AVID. ProTools Reference Guid v.12.8.2. Guide Part Number, 2009. ISBN 9329-65871.
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Bláha Ivo. Zvuková dramaturgie audiovizuálního díla.. 3. vydání, Praha: AMU, 2014. ISBN 978-80-7331-303-6.
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BRIXEN B. Eddy. Audio Metering - Measurements, Standards and Practice.. 2. vydání. UK: Focal Press, 2014. ISBN 978-0-240-81467-4.
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Grečnár Jan. Zvuková realizácia filmu - umenie majstra zvuku. Juga. 2012. ISBN 978-80-89030-50-7.
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HUBER, M. David & RUNSTEIN E. Robert. Moder recording Techniques.. 9. vydání, NewYork: Routledge, 2018. ISBN 978-1-138-95437-3.
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MILES Dean. Location audio simplified: Capturing your audio..and your Audience.. UK: Focal Press, 2014. ISBN 978-1138018778.
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OWSINSKI Bobby. The mixing engineer´s handbook.. 4. vydání, USA: BobbyOwsinski Media Group, 2017. ISBN 978-0-9985033-4-9.
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VIERS Ric. The Location Sound Bible: How to Record Professional Dialog for Film and TV.. USA: Michael Wiese Productions, 2012. ISBN 978-1615931200.
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VLACHÝ Václav. Praxe zvukové techniky. 3. vydání, Praha: Muzukus, 2008. ISBN 978-80-86253-46-5.
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