Lecturer(s)
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Course content
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Selected themes: - Theoretical introduction to Avid Media Composer program - Digital workflow and techniques - Data manager's position - Assistant editor's position - Script supervisor's position - Introduction to editing genres. - Editing action scenes - Editing chase scenes
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Learning activities and teaching methods
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Monologic (Exposition, lecture, briefing), Projection (static, dynamic), Exercises on PC, Teamwork, Analysis of a work of art, Individual work of students
- Participation in classes
- 36 hours per semester
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prerequisite |
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Knowledge |
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Basic knowledge of the subject in general. |
Basic knowledge of the subject in general. |
learning outcomes |
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The student masters technologies in the field. |
The student masters technologies in the field. |
teaching methods |
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Teamwork |
Monologic (Exposition, lecture, briefing) |
Individual work of students |
Individual work of students |
Analysis of a work of art |
Analysis of a work of art |
Monologic (Exposition, lecture, briefing) |
Teamwork |
Projection (static, dynamic) |
Projection (static, dynamic) |
Exercises on PC |
Exercises on PC |
assessment methods |
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Analysis of creative works (Music, visual arts, literature) |
Written examination |
Analysis of the student's performance |
Analysis of the student's performance |
Analysis of creative works (Music, visual arts, literature) |
Written examination |
Recommended literature
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Arundale, Scott. Modern Post: Workflows and Techniques for Digital Filmmakers. Burlington, MA, 2014. ISBN 9780415747028.
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Castle, Bryan. Media Composer: Editing Essentials. USA, 2014. ISBN 9781936121793.
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Coleman, Lori. Make the Cut: A Guide to Becoming a Successful Assistant Editor in Film and TV. Boston, 2010. ISBN 9780240813981.
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CYBULSKI, Mary. Beyond Continuity: Script Supervision for Modern Filmmaker. Burlington: Focal Press, 2014.
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Kauffmann, Sam. Avid Editing: A Guide for Beginning and Intermediate Users. Burlington, MA, 2012. ISBN 978024081566.
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