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Lecturer(s)
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Liebenberger Július, Mgr. art. ArtD.
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Course content
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Students will be introduced to the basic operations of an electronic camera and its functions. Terminology from Physics such as photoelectric phenomenon, photon, light, and colour spectrum will be explained in detail. Recording chips, block schema of an electronic camera and functioning of the individual blocks will be demonstrated. Students will learn about light characteristics and light sources, they will learn about its physical substance and creative utilisation. Lighting of a portrait, facial characteristics, differentiating nuances in its physiognomy and its reaction to light will be studied. Students learn relevant terminology, such as light characteristics, pictorial and realistic manners of scene lighting, and a 3-point lighting. - Perception of reality - Film space, definition, expression - Possible ways of film space creation - Motion depiction - Film shot and its field composition - Photometric measures - Block schema of a camera - Recording chip - Signal - Lin vs. Log data space - Colour image generating - Light - Characteristics of light - Portrait - A 3-point lighting
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Learning activities and teaching methods
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Lecturing, Projection (static, dynamic), Training in motion and work skills, Practice exercises
- Participation in classes
- 36 hours per semester
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| prerequisite |
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| Knowledge |
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| The student will gain a broad knowledge of the current state of scanning and recording technology, image formats and is familiar with the ways of its use. They will gain theoretical knowledge and practical experience of working with a camera and practice practical composition. |
| The student will gain a broad knowledge of the current state of scanning and recording technology, image formats and is familiar with the ways of its use. They will gain theoretical knowledge and practical experience of working with a camera and practice practical composition. |
| learning outcomes |
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| The student understands the expression and orients himself in the work. |
| The student understands the expression and orients himself in the work. |
| - defines the film space - explains the principles of motion representation - describes the sensing chip, signal function, Lin vs. Log data space, colour image formation, light - and its nature, the three-point method of illumination - defines photometric quantities - list the block diagrams of a camera |
| - defines the film space - explains the principles of motion representation - describes the sensing chip, signal function, Lin vs. Log data space, colour image formation, light - and its nature, the three-point method of illumination - defines photometric quantities - list the block diagrams of a camera |
| Skills |
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| - works with film space - shows movement - uses knowledge of light and its character in filming - uses a camera block diagram - works with three-point lighting |
| - works with film space - shows movement - uses knowledge of light and its character in filming - uses a camera block diagram - works with three-point lighting |
| teaching methods |
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| Knowledge |
|---|
| Training in motion and work skills |
| Practice exercises |
| Practice exercises |
| Lecturing |
| Lecturing |
| Projection (static, dynamic) |
| Training in motion and work skills |
| Projection (static, dynamic) |
| assessment methods |
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| Written examination |
| Written examination |
| Oral examination |
| Oral examination |
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Recommended literature
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Fotografujeme kreativně : [inspirace pro dokonalejší fotografie]. Vyd. 1. Brno : Computer Press, 2008. ISBN 978-80-251-2211-2.
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Baran, L., Bojanovský, I. Úvod do filmového obrazu. Praha : FAMU, 1987.
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Baran, L. Zázraky filmového obrazu. Praha : Panorama, 1989. ISBN 80-7038-036-5.
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BOX Harry. Set Lighting Technician's Handbook.. Routledge, 2010. ISBN 9780240810751.
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Kučera, J. Skladba ve filmu a TV. Praha : SPN, 1978.
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MALKIEWICZ K. Film Lighting: Talks with Hollywood's Cinematographers and Gaffers.. Touchstone, 2012. ISBN 978-1439169063.
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Marquart Ch., Andrae M. Th film photography handbook. 2016. ISBN 978-1681980645.
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